End of the Semester Links, Fall 2018

Nuclear and Environmental

Fourth National Climate Assessment.

Deconstructed, “Will the US Ever Give Up Its Nukes?”

“Trump Says US Will Withdraw from Nuclear Deal with Russia.”

Wilfred Wan, “The Nuclear Threat Is Rising: Europe Cannot Just Stand and Watch.”

Will Steffen, et al, “Trajectories of the Earth System in the Anthropocene.”

Kate Aronoff, “‘Hothouse Earth’ Co-Author: The Problem Is Neoliberal Economics” and “With a Green New Deal, Here’s What the World Could Look Like for the Next Generation.”

Kim Stanley Robinson, “To Slow Down Climate Change, We Need to Take On Capitalism.”

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Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia

Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia

I am pleased to report that my essay, “Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia,” was just published in the most recent issue of Critique: Studies in Contemporary Fiction. This essay has been in the works for some time, and I am happy to see it emerge into the light of day.

An abstract: The twenty-first century has seen a transformation of twentieth-century narrative and historical discourse. On the one hand, the cold war national fantasy of mutually assured destruction has multiplied, producing a diverse array of apocalyptic visions. On the other, there has been an increasing sobriety about human finitude, especially considered in the light of emerging discussions about deep time. This essay argues that Don DeLillo’s Point Omega (2010) and Reza Negarestani’s Cyclonopedia: Complicity with Anonymous Materials (2008) make strong cases for the novel’s continuing ability to complicate and illuminate contemporaneity. Written in the midst of the long and disastrous United States incursions in the Middle East, DeLillo and Negarestani raise important political questions about the ecological realities of the War on Terror. Each novel acknowledges that though the catastrophic present cannot be divorced from the inevitable doom at the end of the world, we still desperately need to imagine something else.

 

Mid-Summer Links 2016

Nuclear and Environment

Naomi Klein, “Let Them Drown: The Violence of Othering in a Warming World.”

Aamna Mohdin, “Fearing a Nuclear Terror Attack, Belgium Is Giving Iodine Pills to Its Entire Population.”

Annabell Shark, “MoMA, The Bomb and the Abstract Expressionists.”

Alex Wellerstein, “The Demon Core and the Strange Death of Louis Slotin.”

Lake Chad disappearing over the past fifty years.

Continent 5.2.

And RDS-37 Soviet hydrogen bomb test (1955).

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MLA 2016 Panel: The Anthropocene and Deep Time in Literary Studies

At this year’s MLA Convention in Austin, Texas, I will be on a panel on The Anthropocene and Deep Time in Literary Studies. I have included the information on the panel and an abstract for the paper I will be presenting below.

 

670. The Anthropocene and Deep Time in Literary Studies

Saturday, 9 January, 5:15–6:30 p.m., 6B, ACC

Program arranged by the forum LLC 20th- and 21st-Century American

Presiding: Heather Houser, Univ. of Texas, Austin

Speakers: Gerry Canavan, Marquette Univ.; Bradley J. Fest, Univ. of Pittsburgh; Kristin George Bagdanov, Univ. of California, Davis; Rebecca Wilbanks, Stanford Univ.

Session Description:

The notion of the Anthropocene was coined in 2000 to highlight that human beings’ transformation of the planetary environment will be visible in the geological strata. Beyond its crucial influence in the environmental humanities, the Anthropocene links to discussions of deep time in literary studies. This session taps into and elaborates on these two ongoing discussions.

 

“Fictional Quantities That Make Themselves Real”: Speculation, Petropolitics, and Deep Time in Reza Negarestani’s Cyclonopedia

Since its publication in 2008, Reza Negarestani’s experimental work of “theory-fiction,” Cyclonopedia: Complicity with Anonymous Materials, has become somewhat of a literary touchstone for a variety of writers and thinkers revolving in the orbit of speculative realism. Resembling what would happen if Deleuze and Guattari collaborated with H. P. Lovecraft, Cyclonopedia is a serious, albeit ironic encounter with non-correlationist thought, with speculation, deep time, and hyperobjects of all kinds. It is also a rigorous literary attempt to think through climate change, the War on Terror, and the petropolitical realities of the twenty-first century. This paper will explore a variety of issues that converge in Negarestani’s remarkable book. Beginning with Cyclonopedia’s implicit emphasis on how speculation is necessary for thinking the present (rather than, say, rationalism, measurement, or management), this paper will argue that Negarestani’s encounter with geology and nonhuman hyperobjects indicates that experimental literature may be uniquely suited to thinking about deep time and the realities of climate change in a way unavailable to more conventional narratives. If Steven Shaviro has recently suggested that “at its best, speculative philosophy rather resembles speculative fiction,” then Negarestani’s “novel” is evidence of what might happen when speculative philosophy becomes speculative fiction. Cyclonopedia is not only an important text for thinking about nonhuman entities and deep time in an age of observable climate change, it is also an important entry into the ancient debate between poetry and philosophy. Less a “novel after theory” than theory as novel, Cyclonopedia demonstrates that literature will continue to play an important role for understanding the Anthropocene.

Abstract: Geologies of Finitude: The Deep Time of Twenty-First Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia

Below is an abstract for a paper I will be presenting at the Louisville Conference on Literature and Culture Since 1900, taking place February 26-28, 2015. I will be presenting this paper on a panel titled, “Postcolonial Finance and Disaster Capitalism in Twentieth and Twenty-First Century Fiction.” The panel will be taking place 2:45 – 4:15 Saturday, February 28th, in room 122 of the Humanities Building at the University of Louisville.

Geologies of Finitude: The Deep Time of Twenty-First Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia

Abstract: The twenty-first century has seen a remarkable confluence and transformation of twentieth century narrative and historical discourse. On the one hand, the Cold War nuclear sense of an ending and US national fantasy of Mutually Assured Destruction has multiplied, producing a diverse array of eschatological imaginaries. Indeed, in the age of disaster capitalism, this multiplication has caused some to revise earlier concerns and to now suggest that we are “witnessing the attempt to imagine capitalism by way of imagining the end of the world.” On the other hand, there has been an increasing sobriety from a host of intellectuals and writers about human finitude, especially considered in light of the postnatural condition of the Anthropocene, with its present focus on deep ecological and cosmological futures. Human extinction is no longer shocking; it is a mute fact of geologic time. At the intersection of multiplying, immediate, and local disaster—both real and imagined—and a perspective on the deep history of human finitude, this paper will argue that Don DeLillo’s Point Omega (2010) and Iranian writer Reza Negarestani’s remarkable Cyclonopedia: Complicity with Anonymous Materials (2008) make strong cases for the novel’s continuing ability to complicate and illuminate human finitude and historical temporality in contemporaneity. Written in the midst of the long and disastrous US incursions in the Middle East from two distinct transnational, philosophical, and aesthetic standpoints, DeLillo and Negarestani raise important political questions about vital materiality in the age of hyperobjects and the ecological realities of the War on Terror. In decidedly different and complimentary ways, each novel acknowledges that though the twenty-first century has made it clear that the catastrophic present cannot be divorced from the inevitable doom at the end of the world, we still desperately need to imagine something else.