Some new poems are in the fifth issue of Always Crashing: “Sestina I,” “Sestina II,” “Sestina III,” and “Aubade and After,” all part of a project I’m in the process of finishing up this summer. I’m absolutely delighted and honored to again appear in the pages of this excellent journal.
Richard Grossman, Torah Ball, 2011. Corundum sphere 5″ in diameter inscribed in Hebrew with the Ten Commandments currently buried inside Mount Princeton, Colorado, USA.
If the novel and lyric poem might be considered residual forms, what literary forms are emerging in the twenty-first century? Panel on emergent literary forms: transmedia, digital, hybrid, remediated, megatexts, other. 250-word abstract, brief bio.
This spring semester at Hartwick College, I’m teaching two classes, ENGL 213 Introduction to Creative Writing, as usual, and a brand new course, ENGL 352 Critical Game Studies. I’m especially excited about the latter, as this was a course I developed at the University of Pittsburgh in AY 2015-16 with the aid of a course development grant but that I have not had a chance to teach until now.
John Levi Barnard, Stephanie Foote, Jessica Hurley, and Jeffrey Insko, eds. “Infrastructures of Emergency,” special issue, part 2, Resilience 8, no. 3 (Fall 2021).