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Bradley J. Fest

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Fest, Bradley J–CV 2026-07-09Download

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Books

Essays and Reviews

  • Apocalypse Networks: Representing the Nuclear Archive
  • Eternal, Shiny, and Chrome: The Fabulous Capitalist Megadisasters of the 2010s
  • Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia
  • Is an Archive Enough?: Megatextual Debris in the Work of Rachel Blau DuPlessis
  • Metaproceduralism: The Stanley Parable and the Legacies of Postmodern Metafiction
  • Mobile Games, SimCity BuildIt, and Neoliberalism
  • Poetics of Control, review of The Interface Effect, by Alexander R. Galloway
  • Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature Across Continents
  • Review: Consider David Foster Wallace: Critical Essays
  • The Function of Videogame Criticism, review of How to Talk About Videogames, by Ian Bogost
  • The Inverted Nuke in the Garden: Archival Emergence and Anti-Eschatology in David Foster Wallace’s Infinite Jest
  • Then Out of the Rubble: David Foster Wallace’s Early Fiction (in DFW and “The Long Thing”)
  • Then Out of the Rubble: The Apocalypse in David Foster Wallace’s Early Fiction (in Studies in the Novel)
  • Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s “Breeze Avenue Working Paper”
  • Writing Briefly About Really Big Things

Interviews

  • An Interview with Jonathan Arac
  • Art is for Everybody: An Interview with Anna Kornbluh
  • Grateful and Generous Reading: An Interview with Robert T. Tally Jr.
  • Isn’t It a Beautiful Day? An Interview with J. Hillis Miller (in boundary 2)
  • Isn’t It a Beautiful Day? An Interview with J. Hillis Miller (in Reading Inside Out: Interviews and Conversations, by J. Hillis Miller)
  • Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis

Poetry: Print

  • 2015.02
  • 2015.10, 2015.23, and 2016.10
  • 2015.13, 2015.16, 2015.25, and 2015.27
  • 2015.17
  • 2015.28
  • 2016.05 and 2016.08
  • 2016.11, 2016.13, 2016.20, 2016.24, and 2016.25
  • 2016.31, 2016.33, 2016.36: Preface, and 2017.01: Afterword
  • 2016.35 2016.35
  • 2023.20
  • 2026.01
  • Blason I, Blason II, and Blason III
  • Dead Horse Bay and Archives of Winter
  • Nothingness Introduced into the Heart of the Image
  • Sestina I, Sestina II, Sestina III, and Aubade and After
  • The Shape of Things I, Architects and Their Books, What We Are Looking At, Tristeza, An Ode to 2013: We Are the National Security Agency’s Children, Throw Out Your Life, and The Shape of Things II

Poetry: Online

  • 2013.01, 2013.02, and 2013.03
  • 2013.04, 2013.05, and 2013.06
  • 2014.01, 2014.02, 2014.03, 2014.04, 2014.05, and 2014.06
  • 2014.07, 2014.08, 2015.03, 2015.07, and 2015.08
  • 2015.01
  • 2015.04, 2015.15, 2015.18, 2015.26, 2016.02, and 2016.28
  • 2015.05 and 2015.06
  • 2015.09, 2016.27, 2018.01, 2019.01, and 2019.02
  • 2015.10, 2015.23, and 2016.10
  • 2015.11 and 2015.12
  • 2016.01, 2016.19, and 2016.23
  • 2016.04
  • 2016.09
  • 2016.15
  • 2016.16, 2016.17, 2016.18, 2016.21, 2016.22, and 2016.26
  • 2016.29
  • 2016.30
  • 2019.03
  • 2019.04
  • 2020.01, 2020.02, 2020.03, 2020.04, 2020.05, and 2020.06
  • 2020.07, 2020.08, 2020.09, 2020.10, and 2020.11
  • 2020.12, 2021.01, 2021.02, 2021.03, and 2021.04
  • 2021.05, 2022.03, and 2022.04. 2021.05, 2022.03, and 2022.04
  • 2021.06, 2022.01, 2022.05
  • 2022.02
  • 2022.06, 2023.02, 2023.03, 2023.04, and 2023.05–06
  • 2022.07, 2022.08–09, 2022.10, 2023.17–18, and 2023.19
  • 2022.11, 2023.01, 2023.11, 2023.12, 2023.13, and 2023.14
  • 2023.07–08 and 2023.10
  • 2023.15–16
  • 2023.21
  • 2023.22/24
  • 2023.25
  • 2023.26, 2023.27, and 2023.28
  • 2023.29–30, 2024.01–02, 2024.03, 2024.05–06, and 2024.08–09
  • 2023.32
  • 2024.04
  • 2024.07
  • 2025.02, 2025.04, 2025.05–06, 2025.07, and 2025.11
  • 2025.12
  • 2025.13–14
  • A Second E(ff)luvium
  • Architects and Their Books
  • Archives of Autumn
  • Archives of Spring
  • Archives of Summer
  • Archives of Winter
  • c o n t e m p o r a n e i t y, Silence, and Blason IV
  • Dead Horse Bay and Archives of Winter
  • Ekphraseis
  • If the Marianas Trench Were a Gathering of Sound
  • Meditations at Oneonta and Humid Figures and a Handful of Dust
  • Oceanic and Survival City
  • One Summer near Niagara
  • The One (Symphony of the Great Transnational)
  • Paraclausithyron
  • Postrock
  • The Shape of Things I, We’re Just Like Yesterday’s Headlines, and Winter, or, Some (Future) Ambiguities
  • Two Parts of a Parallax Gap¹

Readings

  • 2017 – June 13: Hemingway’s Summer Poetry Series
  • 2017 — November 16: Visiting Writers Series at Hartwick College
  • 2018 — September 18: Red Dragon Reading Series
  • 2018 — May 17: Featured Writer at CANO’s Writers’ Salon
  • 2020 — July 16: Ecopoetics Reading
  • 2025 — April 27: Cleaver Issue 49 Release Reading

Reviews of Fest’s Work

  • Mike Good, review of The Rocking Chair

Social Media and Other Stuff

  • able was i
  • Academia.edu
  • Amazon
  • Blue Sky
  • English Grad Students in Love Part I
  • Facebook
  • Faculty Page
  • Mastodon
  • SoundCloud
  • Twitter

The Stacks

  • 2River View
  • After Happy Hour Review
  • The Airgonaut
  • Always Crashing
  • Apocalypse Confidential
  • The Babel Tower Notice Board
  • Bainbridge Island Press
  • bethh
  • Bloomsbury Academic
  • Blue Sketch Press
  • Bonfire Reading Series
  • boundary 2
  • b2o
  • the b2o review
  • Breakwater Review
  • Broken Lens Journal
  • Bushel Collective
  • Call Me [Brackets]
  • Cambridge Scholars Publishing
  • Cleaver
  • The Colby Review
  • Community Arts Network of Oneonta (CANO)
  • CounterText
  • Critical Quarterly
  • Critique: Studies in Contemporary Fiction
  • Dazed Santa
  • Dispatches from the Poetry Wars
  • Does It Have Pockets
  • Empty Mirror
  • Epigraph Magazine
  • Eunoia Review
  • Fathomsun Press
  • First Person Scholar
  • Flywheel Magazine
  • Genre: Forms of Discourse and Culture
  • Grain
  • Hartwick College – Babcock Lecture
  • Hartwick College Faculty Lecture Series
  • Hartwick College Visiting Writers Series
  • Hem Press
  • Hemingway’s Summer Poetry Series
  • HVTN
  • IceFloe Press
  • IDIOT
  • Likely Red
  • Literatura
  • LJMcD Communications (Lachlan J McDougall) and D.O.R (Deadly Orgone Radiation)
  • Lothlorien Poetry Journal
  • Magazine1
  • Mannequin Haus
  • Marymount Institute Press
  • Masque & Spectacle
  • Matter
  • Nerve Cowboy
  • Oneonta Literary Festival
  • Organism for Poetic Research
  • Osmosis
  • Other Rooms Press
  • Palgrave Macmillan
  • Pamenar Press
  • Pine Hills Review
  • PLINTH
  • Rabid Oak
  • Racheal Fest
  • Red Dragon Reading Series
  • Salò Press
  • Spork
  • Spuyten Duyvil
  • Studies in the Novel
  • Sugar House Review
  • Sussex Academic Press
  • Tenebrae
  • Triple Canopy
  • TXTOBJX
  • Variant Literature
  • Verse
  • Version (9)
  • Wide Screen
  • William Carlos Williams Review

Translations of Fest’s Work

  • Oblika reči I, Zima ali neke (prihodnje) dvoumnost, and Smo kot včerajšnje naslovnice, by Marko Bauer and Andrej Tomažin
  • Select Oda letu 2013: Smo otroci Nacionalne varnostne agencije, by Marko Bauer and Andrej Tomažin Oda letu 2013: Smo otroci Nacionalne varnostne agencije, by Marko Bauer and Andrej Tomažin

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