Links in the Time of Coronavirus, Vol. 5: July 16–August 15, 2020

Black Lives Matter

Ishmael Reed, “America’s Criminal Justice System and Me.”

Anthony Bogues, “Black Lives Matter and the Moment of the Now.”

Colin Dayan, “Police Power and Can’t Breathe.”

Dwight Garner, “Isabel Wilkerson’s Caste Is an ‘Instant American Classic’ about Our Abiding Sin.”

Jane Hu, “The Second Act of Social-Media Activism.”

Jonathan Levinson and Conrad Wilson, “Federal Law Enforcement Use Unmarked Vehicles to Grab Protesters off Portland Streets.”

Shane Harris, “DHS Compiled ‘Intelligence Reports’ on Journalists Who Published Leaked Documents.”

Ken Klippenstein, “The Border Patrol Was Responsible for an Arrest in Portland.”

Katie Shepherd and Mark Berman, “‘It Was Like Being Preyed upon’: Portland Protesters Say Federal Officers in Unmarked Vans Are Detaining Them.”

Charlie Warzel, “50 Nights of Unrest in Portland.”

Conrad Wilson, Dirk Vanderhart, and Suzanne Nuyen, “Oregon Sues Federal Agencies for Grabbing up Protesters off the Streets.”

Gillian Flaccus, “Judge Blocks US Agents from Arresting Observers in Portland.”

Richard Read, “Out of Portland Tear Gas, an Apparition Emerges, Capturing the Imagination of Protesters.”

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Links in the Time of Coronavirus, Vol. 4: June 16–July 15, 2020

Black Lives Matter

Gina Cherelus, “How We Juneteenth.”

Mariame Kaba, “Yes, We Mean Literally Abolish the Police.”

R. H. Lossin, “In Defense of Destroying Property.”

 

Coronavirus

b2o Review, “COVID-19 Dossier.”

Hortense J. Spillers, “Apocalypse Now and Then.”

Charles Bernstein, “Herd Immunity.”

Nathan L. Grant, “Horseman No. 5.”

The A-Line Editorial Staff, “Convergence 5: Apocalypse Now and Then.”

Adrian Parr, “Pandemic Urbanism.”

Neil Vallelly, “The Coronavirus Decade: Post-capitalist Nightmare or Socialist Awakening?”

Umair Haque, “If Life Feels Bleak, It’s Because Our Civilization Is Beginning to Collapse.”

Hamilton Nolan, “There Is No Plan (For You).”

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“Blason I,” “Blason II,” and “Blason III” in The Second Chance Anthology

“Blason I,” “Blason II,” and “Blason III,” poems from my current ongoing project, Postrock, have been republished in The Second Chance Anthology, which will appear from Variant Literature on August 1, 2020. (Order it here; read it here.) The anthology features “work that has been pulled, withdrawn, [or] removed without notice from” a number of different publications. I’m especially thankful to Tyler Pufpaff and the editors of Variant Literature for finding a new home for the orphaned writing of so many great writers.

Links in the Time of Coronavirus, Vol. 1: March 11–April 15, 2020

I originally intended in late May 2020, when the spring semester was finally over and I had some time to finish “Spring 2020 Links (Pre-COVID-19),” to post one big link dump for coronavirus-related things. But the hyperarchival barrage of news over the past three months, including everything that has happened in the United States the past three weeks (combined with how little time I still have . . .), has made it clear that it would be better to divide posts into smaller, more manageable bits. So here is everything I came across from March 11-April 15, 2020. More to come soon.

Sheri Fink and Mike Baker, “‘It’s Just Everywhere Already’: How Delays in Testing Set Back the US Coronavirus Response.”

The New York Times, “Coronavirus Map: Tracking the Global Outbreak,” “Coronavirus in the US: Latest Map and Case Count” and “Coronavirus Tips, Advice and Answers to Your New Questions.”

IHME, “COVID-19 Projections.”

Katie Zezima, Joel Achenbach, Tim Craig, and Lena H. Sun, “Coronavirus Is Shutting Down American Life as States Try to Battle Outbreak.”

 

Coronavirus Think Pieces (General)

Laurie Penny, “This Is Not the Apocalypse You Were Looking For.”

Naomi Klein, “Coronavirus Capitalism–and How to Beat It.”

Frank Pasquale, “Two Timelines of COVID Crisis.”

Arundhati Roy, “The Pandemic Is a Portal.”

Anne Applebaum, “The Coronavirus Called America’s Bluff.”

Dan Kois, “America Is a Sham.”

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Spring 2020 Links (Pre-COVID-19)

A lot of stuff was going on for me this year, both personally and professionally, so I haven’t really had a chance to post links since . . . last summer (!), nine months before the global pandemic was declared. So, to catch up: here’s links from late summer 2019–March 11, 2020 that are, by the very nature of posting them now, rather outdated/anachronistic, a window onto a world that is gone yet still all too present (and excessive), a world that most certainly wasn’t going in the direction of human flourishing and that any nostalgia for may be misplaced. . . . I hope to have “Links in the Time of Coronavirus, Vol. 1” up sometime soon(er than nine months from now . . .).

Donald G. McNeil Jr., “Wuhan Coronavirus Looks Increasingly Like a Pandemic, Experts Say” (February 20, 2020).

 

Nuclear and Environmental

Mary Hudetz, “US Official: Research Finds Uranium in Navajo Women, Babies.”

David E. Sanger and Andrew E. Kramer, “US Officials Suspect New Nuclear Missile in Explosion That Killed Seven Russians.”

Kristin George Bagdanov, “Addressing the Atomic Specter: Ginsberg’S ‘Plutonian Ode’ and America’s Nuclear Unconscious.”

Alyssa Battistoni, “Why Naomi Klein Has Been Right.”

Henry Fountain, “Climate Change Is Accelerating, Bringing World ‘Dangerously Close’ to Irreversible Change.”

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MLA 2020 Panel: Bad Books

At this year’s Modern Language Association Convention in Seattle (January 9-12, 2020), I will be speaking on a round table discussing Bad Books. I have included the information about the panel and a tentative abstract for the paper I will be presenting below.

 

338. Bad Books

Friday, January 10, 2020, 1:45-3:00 pm, 617 (WSCC)

Presiding: Eric Loy

Presentations:
1. “Notes on Notes on Notes: Glenn Ligon Reads James Baldwin,” Paul Benzon (Skidmore C)
2. “Books Behaving Badly: The Raison d’Être behind Perec’s La Disparition,” Priya Wadhera (Adelphi U)
3. “Debilitated Forms and Forms of Debility: On Writing a Failed Book,” Sharon Tran (U of Maryland Baltimore County)
4. “The Space of Megatexts: ‘Reading’ Mark Leach’s Marienbad My Love,” Bradley J. Fest (Hartwick C)

 

The Space of Megatexts: “Reading” Mark Leach’s Marienbad My Love

At over seventeen million words and consisting of seventeen volumes printed in dense eight-point font, the second edition of Mark Leach’s Marienbad My Love (2008; 2nd ed., 2013) currently holds the record as the world’s longest novel and is what I have elsewhere called a megatext. Composed over the course of thirty years using a number of digital techniques, the result is one of the more spatially imposing works of literature to ever sit on a shelf. Because of this, it also appears that no one has really bothered to read it. Whether this is due to some prejudice against self-publication or critics’ perceptions of authorial vanity, the sheer unreadable size of the text has discouraged anyone from taking Leach’s work all that seriously. I believe this is a mistake and this paper aims to seriously consider a remarkable project that rebelliously pushes against the conceptual, temporal, and physical boundaries of the codex novel. The revisions made to the second edition of the text indicate that not only does Leach intend for people to actually read his book, but also that Marienbad My Love is in fact a complex theoretical statement about the novel in the digital age and a meditation on the present and future of literary writing. In this paper, I will argue that accounting for Marienbad My Love’s material size by finding ways to speculatively (and actually) read this unreadable text will encourage us to rethink how we theorize the novel in the twenty-first century.

 

For previous essays of mine on megatexts and unreadable texts, see:

“Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s ‘Breeze Avenue Working Paper.'”

“Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents.”

“Writing Briefly about Really Big Things.”

“The Megatext and Neoliberalism.”

“The Time of Megatexts: Dark Accumulation and Mark Z. Danielewski’s The Familiar.”

MLA 2019 Panel: New Nuclear Criticism

At this year’s Modern Language Association Convention in Chicago (January 3-6, 2019), I will be speaking on a round table discussing the New Nuclear Criticism. I have included the information on the panel and a tentative abstract for the paper I will be presenting below. More information about the panel is available at kristingeorgebagdanov.com.

 

For previous essays of mine on nuclear criticism, see:

““Apocalypse Networks: Representing the Nuclear Archive”;

“The Inverted Nuke in the Garden: Archival Emergence and Anti-Eschatology in David Foster Wallace’s Infinite Jest;

“Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia.”

 

246. New Nuclear Criticism

Friday, January 4, 2019, 10:15 AM–11:30 AM, Hyatt Regency – Randolph 3

The panel is sponsored by the Association for the Study of Literature and Environment.

Presider: Frances Ferguson, U of Chicago

Presenters: Jada Ach, U of South Carolina, Columbia, Bradley J. Fest, Hartwick C, Jessica Hurley, U of Chicago, Kristin George Bagdanov, U of California, Davis, Kyoko Matsunaga, Kobe City U of Foreign Studies, Inna Sukhenko, U of Helsinki

Session Description: The year 2019 marks the thirty-fifth anniversary of the 1984 colloquium at Cornell University on nuclear criticism and the publication of a special issue of Diacritics collecting the Cornell papers. Do we need a new nuclear criticism? Panelists explore what a new nuclear criticism in the context of ecological crisis might look like by drawing on archives, methods, and approaches not previously included in nuclear criticism’s original manifestation.

 

Jacques Derrida’s “No Apocalypse, Not Now” at Thirty-Five

Abstract:  2019 will mark the thirty-fifth anniversary of the 1984 colloquium at Cornell University on nuclear criticism and the publication of a special issue of Diacritics collecting its papers. The conference occurred at a historical moment of heightened tension between the United States and the Soviet Union unseen since the chilling days of October 1962. But in the intervening years, which have seen the end of the cold war, a reduction of the US and Russia’s nuclear arsenal, a nuclear treaty with Iran, and waning cultural depictions of global nuclear war, the project of nuclear criticism has seemed less vital and, indeed, at times rather anachronistic. Though significant contributions in the ongoing discussion regarding literature of the first and second nuclear ages have been made by a new generation of scholars such as Paul K. Saint-Amour, John Canady, Daniel Cordle, Daniel Grausam, Jessica Hurley, and others (e.g., the 2013 collection, The Silence of Fallout: Nuclear Criticism in a Post-Cold War World), and nuclear criticism, for others, has been subsumed under a broader concept of risk criticism inspired by the thinking of Ulrich Beck (e.g., the work of Ursula K. Heise and Paul Crosthwaite’s collection, Criticism, Crisis, and Contemporary Narrative [2011]), most would agree that literary and critical engagements with the threat of nuclear war have taken a back seat to more pressing global concerns, particularly the realities of climate change and the emergence of the Anthropocene as an important cross-disciplinary concept for understanding the present.

It seems apparent, however, that in the dark days since November 2016, literary and cultural theorists must once again confront the issue(s) of global (and limited) nuclear war and the cultural, political, economic, and social conditions that allow the persistence of what Elaine Scarry has called a “thermonuclear monarchy” in the US, particularly as this power now rests in such unpredictable hands. So the time is ripe to not only revisit the concept of nuclear criticism, as this panel proposes to do, but one of its most important, founding documents: Jacques Derrida’s “No Apocalypse, Not Now: Full Speed Ahead, Seven Missiles, Seven Missives” (1984).

This paper will reconsider Derrida’s seminal text in light of two major transformations. First, I will track and assess what Derrida calls the “nuclear referent,” particularly as it has found its way into twenty-first-century depictions of ecological disaster, representations I will suggest have now reinscribed themselves in the contemporary cultural imagination of nuclear war. Second, I will again take seriously “No Apocalypse, Not Now”’s emphasis on the fabulous textuality of nuclear war and its threat to the archive, particularly in light of the dissemination and proliferation of new exceptionalist national fantasies via the internet visible in “fake news” and the resurgence of US nationalism. This paper will argue that Derrida’s essay–and nuclear criticism more broadly–considered at the intersection of these two cultural transformation, might provide us with reinvigorated tools for confronting the new nuclear realities of contemporaneity.

End of the Semester Links, Fall 2018

Nuclear and Environmental

Fourth National Climate Assessment.

Deconstructed, “Will the US Ever Give Up Its Nukes?”

“Trump Says US Will Withdraw from Nuclear Deal with Russia.”

Wilfred Wan, “The Nuclear Threat Is Rising: Europe Cannot Just Stand and Watch.”

Will Steffen, et al, “Trajectories of the Earth System in the Anthropocene.”

Kate Aronoff, “‘Hothouse Earth’ Co-Author: The Problem Is Neoliberal Economics” and “With a Green New Deal, Here’s What the World Could Look Like for the Next Generation.”

Kim Stanley Robinson, “To Slow Down Climate Change, We Need to Take On Capitalism.”

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June 2018 Links

Nuclear and Environmental

Joshua Miller, “Ed Markey’s Career-Long Fight against Nuclear Weapons.”

Donald J. Trump’s letter to Kim Jong-un.

Avery Anapol, “Lindsey Graham: War with North Korea Would Be ‘Worth It’ in the Long Run.”

Anton Troianovski, “Putin Claims Russia Is Developing Nuclear Arms Capable of Avoiding Missile Defenses.”

Kim Stanley Robinson, “Empty Half the Earth of Its Humans. It’s the Only Way to Save the Planet.”

Ursula K. Heise, “Climate Stories” and Kate Marshall, “The Readers of the Future Have Become Shitty Literary Critics,” reviews of The Great Derangement, by Amitav Ghosh.

Kate Aronoff, “Denial by a Different Name.”

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