Links in the Time of Coronavirus, Vol. 4: June 16–July 15, 2020

Black Lives Matter

Gina Cherelus, “How We Juneteenth.”

Mariame Kaba, “Yes, We Mean Literally Abolish the Police.”

R. H. Lossin, “In Defense of Destroying Property.”

 

Coronavirus

b2o Review, “COVID-19 Dossier.”

Hortense J. Spillers, “Apocalypse Now and Then.”

Charles Bernstein, “Herd Immunity.”

Nathan L. Grant, “Horseman No. 5.”

The A-Line Editorial Staff, “Convergence 5: Apocalypse Now and Then.”

Adrian Parr, “Pandemic Urbanism.”

Neil Vallelly, “The Coronavirus Decade: Post-capitalist Nightmare or Socialist Awakening?”

Umair Haque, “If Life Feels Bleak, It’s Because Our Civilization Is Beginning to Collapse.”

Hamilton Nolan, “There Is No Plan (For You).”

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Keyword Seminar on Length at the 2018 Society for Novel Studies Conference

I will be leading a keyword seminar on length at the 2018 Society for Novel Studies Conference, May 31-June 2 at Cornell University. I have included a description of the seminar and the names of the other presenters below. Other keyword seminars can be found here.


Keyword Seminar on Length at 2018 Society for Novel Studies Conference

Bradley J. Fest with Alex Creighton, Alley Edlebi, Andrew FergusonJason Potts, Robert Ryan, and Aaron Vieth

Description

From multi-season serial television, to cinematic universes, to immense videogames, narratives across media appear to have gotten longer in the digital age. Can the same be said of the novel? On the one hand, authors have written lengthy novels throughout the form’s history. On the other, the issue of novelistic length seems newly pressing now that digital technologies have given writers the capacity to author books that are unreadably massive (e.g., Richard Grossman’s forthcoming three-million-page Breeze Avenue or Mark Leach’s seventeen-million-word Marienbad My Love). This seminar invites its participants to take up questions about length with regard to the role and status of the novel historically and at present. How does the history of print narrative influence how we think about novel length in the twenty-first century? Are there upper and lower limits to how long a novel can be (and why would such limits matter)? What is the relationship between the novel and other transmedia meganarratives? What is the legacy of the twentieth century’s “big, ambitious novel”? And, going forward, how do scholars study print and digital texts that are too big to read?