This coming fall semester looks like it will be as close to “normal” as it’s been in some time. I’m teaching some familiar creative writing classes that I usually teach in the fall (syllabi below), and filling in for the first half of the semester in our ENGL 101 Writing Tutorial class (syllabus not included). I will again also be teaching our methods course for senior theses in creative writing (ENGL 489).
The first poem in a short series, “Archives of Summer,” is out today in The Decadent Review. Further poems—“Archives of Autumn,” “Archives of Spring,” and a reprint of “Archives of Winter”—will appear in The Decadent Review as the year progresses. The “archive” poems are some of the final unpublished poems from my recently completed manuscript, Postrock.
On July 12, 2022 at 8:00 p.m. (EDT), as part of the Significant Others Reading Series—a “series dedicated to new books and the shadow texts that inspired them”—I’ll be giving an online reading of some of my sestinas from the latest issue of Always Crashing along with some of the poems in their background radiation. Mary Biddinger and Day Heisinger-Nixon will also be reading. Get the link to the reading here and order the issue here.
Some new poems are in the fifth issue of Always Crashing: “Sestina I,” “Sestina II,” “Sestina III,” and “Aubade and After,” all part of a project I’m in the process of finishing up this summer. I’m absolutely delighted and honored to again appear in the pages of this excellent journal.
The most recent sonnets in my ongoing sequence–“2020.12,” “2021.01,” “2021.02,” “2021.03,” and “2021.04”–are in the third issue of Version (9) Magazine.
The most recent sonnets in my ongoing sequence will appear across two issues of Version (9) Magazine, a journal “fostering . . . space for . . . texts that relate to the world of theory” (they previously published some other poems of mine). “2020.07,” “2020.08,” “2020.09,” “2020.10,” and “2020.11” are in volume 1, issue 2. “2020.12,” “2021.01,” “2021.02,” “2021.03,” and “2021.04” will appear in early 2022 in the magazine’s third issue.
I am incredibly indebted to Samuel Verdin, editor of The Aesthetic Directory, for publishing “2015.04,” “2015.15,” “2015.18,” “2015.26,” “2016.02,” and “2016.28,” the last unpublished sonnets from 2013–2017: Sonnets, the first volume of my ongoing sonnet sequence.
Camilla Nelson has written a thoughtful and incisive review of Poetics for the More-Than-Human World: An Anthology of Poetry and Commentary, edited by by Mary Newell, Bernard Quetchenbach, and Sarah Nolan, published last year by Spuyten Duyvil (and in which I have a couple poems). The review appeared in vol. 2, no. 1 of Ecocene: Cappadocia Journal of Environmental Humanities.
The start to this academic year is again unconventional, but feeling much closer to normal, especially owing to Hartwick College’s reopening plans. I’m again teaching two frequently taught creative writing courses and revisiting Poetry and Technology. The syllabi: