Summer 2019 Links

I had the privilege of meeting Richard Siken when I was quite young–an undergraduate at the University of Arizona–and he gave me lots of good advice on the poetry world (and life), conversations I still cherish. Please help him out.

Stroke Recovery Fund for Poet Richard Siken.

 

Nuclear and Environmental

Alenka Zupančič, “The Apocalypse Is (Still) Disappointing.”

James Livingston, “Time, Dread, Apocalypse Now.

Ted Nordhaus, “The Empty Radicalism of the Climate Apocalypse.”

Jessica Hurley and Dan Sinykin, eds., Apocalypse, special issue of ASAP/Journal.

Frame, Apocalypse.

Brad Plumer, “Humans Are Speeding Extinction and Altering the Natural World at an ‘Unprecedented’ Pace.”

Damian Carrington, “Why The Guardian Is Changing the Language It Uses about the Environment.”

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MLA 2019 Panel: New Nuclear Criticism

At this year’s Modern Language Association Convention in Chicago (January 3-6, 2019), I will be speaking on a round table discussing the New Nuclear Criticism. I have included the information on the panel and a tentative abstract for the paper I will be presenting below. More information about the panel is available at kristingeorgebagdanov.com.

 

For previous essays of mine on nuclear criticism, see:

““Apocalypse Networks: Representing the Nuclear Archive”;

“The Inverted Nuke in the Garden: Archival Emergence and Anti-Eschatology in David Foster Wallace’s Infinite Jest;

“Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia.”

 

246. New Nuclear Criticism

Friday, January 4, 2019, 10:15 AM–11:30 AM, Hyatt Regency – Randolph 3

The panel is sponsored by the Association for the Study of Literature and Environment.

Presider: Frances Ferguson, U of Chicago

Presenters: Jada Ach, U of South Carolina, Columbia, Bradley J. Fest, Hartwick C, Jessica Hurley, U of Chicago, Kristin George Bagdanov, U of California, Davis, Kyoko Matsunaga, Kobe City U of Foreign Studies, Inna Sukhenko, U of Helsinki

Session Description: The year 2019 marks the thirty-fifth anniversary of the 1984 colloquium at Cornell University on nuclear criticism and the publication of a special issue of Diacritics collecting the Cornell papers. Do we need a new nuclear criticism? Panelists explore what a new nuclear criticism in the context of ecological crisis might look like by drawing on archives, methods, and approaches not previously included in nuclear criticism’s original manifestation.

 

Jacques Derrida’s “No Apocalypse, Not Now” at Thirty-Five

Abstract:  2019 will mark the thirty-fifth anniversary of the 1984 colloquium at Cornell University on nuclear criticism and the publication of a special issue of Diacritics collecting its papers. The conference occurred at a historical moment of heightened tension between the United States and the Soviet Union unseen since the chilling days of October 1962. But in the intervening years, which have seen the end of the cold war, a reduction of the US and Russia’s nuclear arsenal, a nuclear treaty with Iran, and waning cultural depictions of global nuclear war, the project of nuclear criticism has seemed less vital and, indeed, at times rather anachronistic. Though significant contributions in the ongoing discussion regarding literature of the first and second nuclear ages have been made by a new generation of scholars such as Paul K. Saint-Amour, John Canady, Daniel Cordle, Daniel Grausam, Jessica Hurley, and others (e.g., the 2013 collection, The Silence of Fallout: Nuclear Criticism in a Post-Cold War World), and nuclear criticism, for others, has been subsumed under a broader concept of risk criticism inspired by the thinking of Ulrich Beck (e.g., the work of Ursula K. Heise and Paul Crosthwaite’s collection, Criticism, Crisis, and Contemporary Narrative [2011]), most would agree that literary and critical engagements with the threat of nuclear war have taken a back seat to more pressing global concerns, particularly the realities of climate change and the emergence of the Anthropocene as an important cross-disciplinary concept for understanding the present.

It seems apparent, however, that in the dark days since November 2016, literary and cultural theorists must once again confront the issue(s) of global (and limited) nuclear war and the cultural, political, economic, and social conditions that allow the persistence of what Elaine Scarry has called a “thermonuclear monarchy” in the US, particularly as this power now rests in such unpredictable hands. So the time is ripe to not only revisit the concept of nuclear criticism, as this panel proposes to do, but one of its most important, founding documents: Jacques Derrida’s “No Apocalypse, Not Now: Full Speed Ahead, Seven Missiles, Seven Missives” (1984).

This paper will reconsider Derrida’s seminal text in light of two major transformations. First, I will track and assess what Derrida calls the “nuclear referent,” particularly as it has found its way into twenty-first-century depictions of ecological disaster, representations I will suggest have now reinscribed themselves in the contemporary cultural imagination of nuclear war. Second, I will again take seriously “No Apocalypse, Not Now”’s emphasis on the fabulous textuality of nuclear war and its threat to the archive, particularly in light of the dissemination and proliferation of new exceptionalist national fantasies via the internet visible in “fake news” and the resurgence of US nationalism. This paper will argue that Derrida’s essay–and nuclear criticism more broadly–considered at the intersection of these two cultural transformation, might provide us with reinvigorated tools for confronting the new nuclear realities of contemporaneity.

February 2018 Links

Nuclear and Environmental

Tim Fernholz, “US Nuclear Tests Killed Far More Civilians than We Knew.”

Democracy Now, “Daniel Ellsberg Reveals He Was a Nuclear War Planner, Warns of Nuclear Winter and Global Starvation.”

Daniel Bessner, “On the Brink.”

Alastair Tancred, “A Nuclear First Strike of North Korea Is ‘Tempting’, Says Legendary US Diplomat Henry Kissinger as Kim Jong-un Warns Trump Is Pushing Toward War.”

“Senator Markey Blasts Trump Administration’s Reckless Nuclear Posture Review.”

Helena Feder, “The Realism of Our Time: Interview with Kim Stanley Robinson.”

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“Toward a Theory of the Megatext” in Scale in Literature and Culture

The first essay from my new project on unreadably large texts, “Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s ‘Breeze Avenue Working Paper,'” has been published in Scale in Literature and Culture (Palgrave Macmillan, 2017), edited by Michael Tavel Clarke and David Wittenberg. The book includes essays by Bruno Latour and Mark McGurl. You can find the entire collection here through Springer Link if you have institutional access, or individual essays via the links below. The book is also available on Amazon. I’m happy to send along a copy of my essay to anyone who is interested (festb[at]hartwick[dot]edu).

Table of Contents for Scale in Literature and Culture

Michael Tavel Clarke and David Wittenberg, Introduction.

Scale: History and Conception

Zach Horton“Composing a Cosmic View: Three Alternatives for Thinking Scale in the Anthropocene.”

Derek Woods, “Epistemic Things in Charles and Ray Eames’s Powers of Ten.

Bruno Latour, “Anti-Zoom.”

Scale in Culture

Mark McGurl, “Making It Big: Picturing the Radio Age in King Kong.

Joan Lubin, “The Stature of Man: Population Bomb on Spaceship Earth.”

Aikaterini Antonopoulou, “Large-Scale Fakes: Living in Architectural Reproductions.”

Scale in Literature

Melody Jue, “From the Goddess Ganga to a Teacup: On Amitav Ghosh’s Novel The Hungry Tide.

Oded Nir, “World Literature as a Problem of Scale.”

Bradley J. Fest, “Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s ‘Breeze Avenue Working Paper.'”

Jeffrey Severs, “Cutting Consciousness Down to Size: David Foster Wallace, Exformation, and the Scale of Encyclopedic Fiction.”

End of the Semester Links, Spring 2017

It’s been a long year, long for many reasons, but here’s a backlog of some links. (Some very good news is imminent. . . .)

 

Nuclear and Environmental

New York Times Editorial Board, “The Finger on the Nuclear Button.”

Rebecca Savranksy, “US May Launch Strike if North Korea Moves to Test Nuclear Weapon.”

Kaveh Waddell, “What Happens if a Nuclear Bomb Goes Off in Manhattan.”

Radiolab, “Nukes.”

Laurel Wamsley, “Digitization Unearths New Data From Cold War-Era Nuclear Test Films.”

Michael Biesecker and John Flesher, “President Trump Institutes Media Blackout at EPA.”

Brian Kahn, “The EPA Has Started to Remove Obama-Era Information.”

Zoë Schlanger, “Hackers Downloaded US Government Climate Data and Stored It on European Servers as Trump Was Being Inaugurated.”

Cass R. Sunstein, “Making Sense of Trump’s Order on Climate Change.”

Laurie Penny, “The Slow Confiscation of Everything.”

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Mid-Summer Links 2016

Nuclear and Environment

Naomi Klein, “Let Them Drown: The Violence of Othering in a Warming World.”

Aamna Mohdin, “Fearing a Nuclear Terror Attack, Belgium Is Giving Iodine Pills to Its Entire Population.”

Annabell Shark, “MoMA, The Bomb and the Abstract Expressionists.”

Alex Wellerstein, “The Demon Core and the Strange Death of Louis Slotin.”

Lake Chad disappearing over the past fifty years.

Continent 5.2.

And RDS-37 Soviet hydrogen bomb test (1955).

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