This spring, I’m teaching two brand new courses at Hartwick College: a writing-intensive course covering the poetry of Adrienne Rich, Audre Lorde, Eileen Myles, and Claudia Rankine; and a senior seminar on John Ashbery. Lots of great poetry! The syllabi:
ENGL 247 Four Modern American Poets: Rich, Lorde, Myles, and Rankine
More translations of poems from my second book, The Shape of Things (Salò, 2017), are in the August 2019 issue of Literatura. Marko Bauer and Andrej Tomažin translated into Slovenian “An Ode to 2013: We Are the National Security Agency’s Children,” “Desertification Is Not Just the Earth’s Pastime,” “The Decibel Curfew Does Not Apply,” “That Was a Bad Idea,” and “I Am a Mechanic,” and they appear in Literatura under the general title “Oda letu 2013: Smo otroci Nacionalne varnostne agencije.”
Bauer and Tomažin previously translated “The Shape of Things I,” “Winter, or, Some (Future) Ambiguities,” and “We’re Just Like Yesterday’s Headlines” in the December 2016 issue of IDIOT. (The title of the translations are “Oblika reči I,” “Zima ali neke (prihodnje) dvoumnost,” and “Smo kot včerajšnje naslovnice.”)
I made another appearance on The Jabsteps podcast filling in for Salvatore Pane in episode 116: “The Review of LeBron, Inc. with Dr. Bradley J. Fest.” Geoff Peck and I talk about Brian Windhorst’s new book, LeBron, Inc.: The Making of a Billion-Dollar Athlete (New York: Grand Central, 2019). For our previous review of Brian Windhorst and and Dave McMenamin’s book, Return of the King (2017), check out episode 57, “Jabsteps Book Review with Dr. Brad Fest! Return of the King (LeBron not Tolkien).”
Here’s a video in which I talk about what it means to study creative writing at Hartwick College. Other promotional videos can be found here.
“2016.35,” a poem from my sonnet sequence, is in issue forty-five of Nerve Cowboy.
“2016.04,” a poem from my sonnet sequence, is in issue twenty-four of the Breakwater Review.
“2016.09,” a poem from my sonnet sequence, is in amberflora.
Shortly following the completion of my dissertation, in the summer of 2013 I had the great honor and privilege to interview one of the preeminent literary critics of the twentieth and twenty-first centuries, J. Hillis Miller. That interview was published as “Isn’t It a Beautiful Day? An Interview with J. Hillis Miller” in the fall 2014 issue of boundary 2.
The interview has been reprinted in Reading Inside Out: Interviews and Conversations, a collection of interviews with Miller spanning the latter part of his career, edited by David Jonathan Y. Bayot and recently published by Sussex Academic Press. (The book is also available at a fairly reasonable price on Amazon.com.) In the table of contents below, I’ve provided links to where the other interviews in the volume were originally published (to the best of my ability).
Reading Inside Out: Interviews and Conversations, by J. Hillis Miller
Table of Contents
David Jonathan Y. Bayot, “Preface.”
J. Hillis Miller, “Introduction.”
Imre Salusinszky, “Criticism in Society” (1987).
Gary A. Olson, “Rhetoric, Cultural Studies, and the Future of Critical Theory” (1994).
Fengzhen Wang and Shaobo Xie, “Stay! Speak, Speak. I Charge Thee, Speak” (2002).
Julian Wolfreys, “The Degree Zero of Criticism” (2004) and “Why Literature? A Profession” (2005).
Anfeng Sheng, “Literary Studies in Contexts” (2006).
Constanza del Río Álvaro and Francisco Collado-Rodríguez, “On Literature and Ethics” (2006).
Éamonn Dunne, “For the Reader to Come” (2010).
Éamonn Dunne, Michael O’Rourke, Martin McQuillan, Graham Allen, Dragan Kujundžić, and Nicholas Royle, “You See You Ask an Innocent Question and You’ve Got a Long Answer” (2014).
Bradley J. Fest, “Isn’t It a Beautiful Day?” (2014).
Christopher D. Morris, “A Critical Story So Far” (2015).
I am beginning my second semester teaching English and creative writing at Hartwick College this week. Here are the syllabi for my two spring classes.
“2014.07,” “2014.08,” “2015.03,” “2015.07,” and “2015.08,” five more sonnets from my ongoing sequence, are in the February issue of the online journal, The Airgonaut. (The poems were posted as a .pdf to preserve the formatting of the poems’ footnotes; a link here.)
The Hyperarchival Parallax 