For this year’s Modern Language Association Convention, to be held virtually from January 7–10, 2021, I organized and will be speaking on a roundtable on Twenty-First-Century Forms, along with Amy Sara Carroll, Racheal Fest, Christian P. Haines, Hyemin Kim, and Eric Loy. I have included the information about the panel and, below that, full abstracts from each speaker.
181. Twenty-First-Century Forms
Thursday, January 7, 2020, 7:00 – 8:15 p.m. (EST)
If the novel and lyric poem have become residual forms, what literary forms are emerging in contemporaneity? Participants explore emergent literary forms of the twenty-first century and their relationship with, instantiation in, or remediation by other (digital) media: film, television, video, graphic narrative, video games, transmedia, or other hybrid, novel, or megatextual forms.
Amy Sara Carroll (U of California, San Diego)
Bradley Fest (Hartwick C)
Racheal Fest (State U of New York, Oneonta)
Christian Haines (Penn State U, University Park)
Hyemin Kim (Baruch C, City U of New York)
Eric Loy (U of Rochester)
Bradley Fest (Hartwick C)
This unconventional fall, I’m revisiting two creative writing courses I’ve frequently taught at Hartwick College, though in a hybrid face to face/online mode. The syllabi:
ENG 213 Introduction to Creative Writing
ENGL 312 Intermediate Poetry Workshop
“2015.11” and “2015.12,” two sonnets from my ongoing sequence, are in the sixth issue of Adjacent Pineapple. Thanks to Colin Herd for his patience with these.
“Blason I,” “Blason II,” and “Blason III,” poems from my current ongoing project, Postrock, have been republished in The Second Chance Anthology, which will appear from Variant Literature on August 1, 2020. (Order it here; read it here.) The anthology features “work that has been pulled, withdrawn, [or] removed without notice from” a number of different publications. I’m especially thankful to Tyler Pufpaff and the editors of Variant Literature for finding a new home for the orphaned writing of so many great writers.
Untitled, by Courtney Bernardo
Another sonnet from my ongoing sequence, “2019.03,” is in the Pine Hills Review.
Another poem from my new project, “Paraclausithyron,” is in the fifth issue of the Flatbush Review.
To accompany the online publication of “Poetics for the More-than-Human World: An Anthology of Poetry and Commentary” at Dispatches for the Poetry Wars, along with its eventual print publication by Spuyten Duyvil, the editors have organized a series of ten readings over the next few months. The first reading kicks off next week, June 25, 2020 at 4:00 p.m. EDT with Rachel Blau DuPlessis, Patricio Ferrari, Peter O’Leary, Stephanie Strickland, Harriet Tarlo, Orchid Tierney, and Edwin Torres.
On July 16, 2020 at 4:00 pm EDT I’ll be reading with Cara Chamberlain, Petra Kuppers, Jake Levine, Eléna Rivera, Arthur Sze, and Jen Web.
Find our more on the anthology’s Facebook and Eventbrite pages.
More poems from my ongoing sonnet sequence, “2016.31,” “2016.33,” “2016.36: Preface” (a long prefatory poem), and “2017.01: Afterword,” are in the third issue of Always Crashing. I’m delighted to share the pages with Louis Armand, Jill Khoury, Joe Sacksteder, Claire Marie Stancek, John Trefry, and many others.
There will also be a two night reading celebrating the issues release at 7:00 p.m. on May 28 and 29, 2020, via Zoom. RSVP at https://bit.ly/2WGDD7d. I’ll be reading for a few minutes on the 29th.
Two more poems from my new project, “Meditations at Oneonta” and “Humid Figures and a Handful of Dust,” are in Pamenar Online Magazine. Honored to have these in this excellent and supportive international journal. I also recorded “Meditations at Oneonta”; you can listen to it here.
Update: Deadline Extended until March 29, 2020.
Given my ongoing interest in megatexts and other emerging hybrid and transmedia forms, I am organizing a panel on emergent literary forms of the twenty-first-century for the 2021 Modern Language Association Convention in Toronto, Ontario. Please consider submitting an abstract to festb[at]hartwick[dot]edu.