As I mentioned in my last post, my work appeared in two different publications today. The second: More sonnets from my ongoing sequence, “2021.05,” “2022.03,” and “2022.04,” are in The Kitchen Sink, a brand-new publication based in Oneonta, New York (where I currently reside) run by recent graduates of the State University of New York at Oneonta. Thanks to Alexis Ochi and the other editors for accepting my work. I’m also thrilled to have these poems published alongside work from one of my students at Hartwick College.
2022
“2021.06,” “2022.01,” and “2022.05” in IceFloe Press
My work appeared in two different publications today. First, I’m thrilled to have more recent sonnets from my ongoing series, “2021.06,” “2022.01,” and “2022.05,” as part of a series of pandemic “Dispatches” at IceFloe Press. Thanks especially to Robert Frede Kenter for championing these poems and for the amazing visual poem collage he made to accompany my work.
“2022.06,” “2023.02,” “2023.03,” “2023.04,” and “2023.05–06″ in D.O.R (Deadly Orgone Radiation)
I’m delighted to have “2022.06,” “2023.02,” “2023.03,” “2023.04,” and “2023.05–06”—five very new sonnets—out in the second issue of D.O.R (Deadly Orgone Radiation), the journal publication of Lachlan J. McDougall‘s press, LJMcD Communications.
“2022.02” in Apocalypse Confidential
I have a new sonnet, “2022.02,” in Apocalypse Confidential.
Links in the Time of Coronavirus, Vol. 4: June 16–July 15, 2020
Black Lives Matter
Gina Cherelus, “How We Juneteenth.”
Mariame Kaba, “Yes, We Mean Literally Abolish the Police.”
R. H. Lossin, “In Defense of Destroying Property.”
Coronavirus
b2o Review, “COVID-19 Dossier.”
Hortense J. Spillers, “Apocalypse Now and Then.”
Charles Bernstein, “Herd Immunity.”
Nathan L. Grant, “Horseman No. 5.”
The A-Line Editorial Staff, “Convergence 5: Apocalypse Now and Then.”
Adrian Parr, “Pandemic Urbanism.”
Neil Vallelly, “The Coronavirus Decade: Post-capitalist Nightmare or Socialist Awakening?”
Umair Haque, “If Life Feels Bleak, It’s Because Our Civilization Is Beginning to Collapse.”
Hamilton Nolan, “There Is No Plan (For You).”
The Hyperarchival Parallax 