Another poem from my new project, “Ekphraseis,” a poem for/about Taylor Baldwin‘s The Oracle (2016; above), is in the new issue (no. 18) of Masque & Spectacle. I previously published “2016.01,” “2016.19,” and “2016.23” in the September 2016 issue (no. 9) of Masque & Spectacle.
Honored to have the poems “Blason I,” “Blason II,” and “Blason III” in Queen Mob’s Teahouse. These are the first published poems from a brand new project endeavoring to see everyday objects anew by mediating their perception through lenses of poetic and cultural influence. (Former students may recognize in these my own answers to a question I sometimes pose on the first day of class.)
I have a collaborative essay, “Coda: Writing Briefly about Really Big Things,” in Joseph A. Dane‘s new book, Begging the Question: Critical Reasoning in Chaucer Studies, Book History, and Humanistic Inquiry (Mythodologies II) (Marymount Institute Press, 2019). Though brief, it speaks to some of the ongoing concerns in my megatext project, particularly how to situate the project in the field and in conversation with others. My thanks to Dane for inviting me to collaborate with him on this and including my piece in his book.
“2016.35,” a poem from my sonnet sequence, is in issue forty-five of Nerve Cowboy.
My essay, “Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents,” has been published in CounterText: A Journal for the Study of the Post-Literary in the the second of two special issues devoted to Ghosh and Miller’s book. The first issue is available here, and the second has an interview with Miller available from behind the paywall. I’ve included an abstract of my essay below, along with a table of contents.
Abstract: This review essay approaches Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents (Duke UP, 2016) from a set of questions about what it means to read in the age of hyperarchival accumulation. Written against the background of events in the United States and elsewhere during the fall of 2017, the essay tracks and assesses Ghosh and Miller’s differing methods for approaching literary study in the twenty-first century: undiscriminating catholicity and rhetorical reading, respectively. Through emblematic readings of David Foster Wallace’s novel The Pale King (2011), the videogame Katamari Damacy (2004), and Amy Hungerford’s Making Literature Now (2016), this essay argues that Thinking Literature across Continents self-reflexively models and performs the interested, situated reading practices necessary for continuing the never-ending project of encountering, sharing, accounting for, learning from, and contending with others and their divergent readings, practices that, though many may have lost sight of them today, are fundamental to the project of democracy itself.
“Thinking Literature Across . . . II,” special issue, CounterText, table of contents: