“2016.35,” a poem from my sonnet sequence, is in issue forty-five of Nerve Cowboy.
Publications
“2016.04” in the Breakwater Review
“2016.04,” a poem from my sonnet sequence, is in issue twenty-four of the Breakwater Review.
“2016.09” in amberflora
“2016.09,” a poem from my sonnet sequence, is in amberflora.
“Reading Now and Again” in CounterText
My essay, “Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents,” has been published in CounterText: A Journal for the Study of the Post-Literary in the the second of two special issues devoted to Ghosh and Miller’s book. The first issue is available here, and the second has an interview with Miller available from behind the paywall. I’ve included an abstract of my essay below, along with a table of contents.
Abstract: This review essay approaches Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents (Duke UP, 2016) from a set of questions about what it means to read in the age of hyperarchival accumulation. Written against the background of events in the United States and elsewhere during the fall of 2017, the essay tracks and assesses Ghosh and Miller’s differing methods for approaching literary study in the twenty-first century: undiscriminating catholicity and rhetorical reading, respectively. Through emblematic readings of David Foster Wallace’s novel The Pale King (2011), the videogame Katamari Damacy (2004), and Amy Hungerford’s Making Literature Now (2016), this essay argues that Thinking Literature across Continents self-reflexively models and performs the interested, situated reading practices necessary for continuing the never-ending project of encountering, sharing, accounting for, learning from, and contending with others and their divergent readings, practices that, though many may have lost sight of them today, are fundamental to the project of democracy itself.
“Thinking Literature Across . . . II,” special issue, CounterText, table of contents:
Ivan Callus and James Corby, “Editorial.”
J. Hillis Miller, Ivan Callus, and James Corby, “The CounterText Interview: J. Hillis Miller.”
Bradley J. Fest, “Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents.”
Simona Sawhney, “Boatmen, Wastrels, and Demons: Figures of Literature.”
Jakob Lothe, “The Author’s Ethical Responsibility and the Ethics of Reading.”
Jonathan Locke Hart, “Ideas of Poetics and the Close Reading of Poetry.”
Shaobo Xie, “Does Literature Matter Today? Thoughts of the Outside.”
Kirk Kenny and James Corby, “Screens of Fortune: A Photo-Essay.”
Timothy Mathews, “The Many Hands of Thick Time: William Kentridge at the Whitechapel Gallery.”
“2016.15” in Likely Red
“2016.15,” another sonnet from my ongoing sequence, was published today in the online journal Likely Red.
“Isn’t It a Beautiful Day? An Interview with J. Hillis Miller” in Reading Inside Out
Shortly following the completion of my dissertation, in the summer of 2013 I had the great honor and privilege to interview one of the preeminent literary critics of the twentieth and twenty-first centuries, J. Hillis Miller. That interview was published as “Isn’t It a Beautiful Day? An Interview with J. Hillis Miller” in the fall 2014 issue of boundary 2.
The interview has been reprinted in Reading Inside Out: Interviews and Conversations, a collection of interviews with Miller spanning the latter part of his career, edited by David Jonathan Y. Bayot and recently published by Sussex Academic Press. (The book is also available at a fairly reasonable price on Amazon.com.) In the table of contents below, I’ve provided links to where the other interviews in the volume were originally published (to the best of my ability).
Reading Inside Out: Interviews and Conversations, by J. Hillis Miller
Table of Contents
David Jonathan Y. Bayot, “Preface.”
J. Hillis Miller, “Introduction.”
Imre Salusinszky, “Criticism in Society” (1987).
Gary A. Olson, “Rhetoric, Cultural Studies, and the Future of Critical Theory” (1994).
Fengzhen Wang and Shaobo Xie, “Stay! Speak, Speak. I Charge Thee, Speak” (2002).
Julian Wolfreys, “The Degree Zero of Criticism” (2004) and “Why Literature? A Profession” (2005).
Anfeng Sheng, “Literary Studies in Contexts” (2006).
Constanza del Río Álvaro and Francisco Collado-Rodríguez, “On Literature and Ethics” (2006).
Éamonn Dunne, “For the Reader to Come” (2010).
Éamonn Dunne, Michael O’Rourke, Martin McQuillan, Graham Allen, Dragan Kujundžić, and Nicholas Royle, “You See You Ask an Innocent Question and You’ve Got a Long Answer” (2014).
Bradley J. Fest, “Isn’t It a Beautiful Day?” (2014).
Christopher D. Morris, “A Critical Story So Far” (2015).
“2014.07,” “2014.08,” “2015.03,” “2015.07,” and “2015.08” in The Airgonaut
“2014.07,” “2014.08,” “2015.03,” “2015.07,” and “2015.08,” five more sonnets from my ongoing sequence, are in the February issue of the online journal, The Airgonaut. (The poems were posted as a .pdf to preserve the formatting of the poems’ footnotes; a link here.)
