On July 16, 2020, I took part in the fourth of ten readings around the release of the Poetics for the More-than-Human World: An Anthology of Poetry and Commentary (Spuyten Duyvil, forthcoming 2020), originally published as a special issue of Dispatches from the Poetry Wars edited by Mary Newell, Bernard Quetchenbach, and Sarah Nolan. Other readers are: Cara Chamberlain, Petra Kuppers, Andrew Melrose, Eléna Rivera, Arthur Sze, and Jen Web. My reading of “Dead Horse Bay” and “Blason III” starts around 29:30 in the July 16 reading .
To find more about the series, visit the Ecopoetics Anthology Facebook page.
“Blason I,” “Blason II,” and “Blason III,” poems from my current ongoing project, Postrock, have been republished in The Second Chance Anthology, which will appear from Variant Literature on August 1, 2020. (Order it here; read it here.) The anthology features “work that has been pulled, withdrawn, [or] removed without notice from” a number of different publications. I’m especially thankful to Tyler Pufpaff and the editors of Variant Literature for finding a new home for the orphaned writing of so many great writers.
To accompany the online publication of “Poetics for the More-than-Human World: An Anthology of Poetry and Commentary” at Dispatches for the Poetry Wars, along with its eventual print publication by Spuyten Duyvil, the editors have organized a series of ten readings over the next few months. The first reading kicks off next week, June 25, 2020 at 4:00 p.m. EDT with Rachel Blau DuPlessis, Patricio Ferrari, Peter O’Leary, Stephanie Strickland, Harriet Tarlo, Orchid Tierney, and Edwin Torres.
On July 16, 2020 at 4:00 pm EDT I’ll be reading with Cara Chamberlain, Petra Kuppers, Jake Levine, Eléna Rivera, Arthur Sze, and Jen Web.
I originally intended in late May 2020, when the spring semester was finally over and I had some time to finish “Spring 2020 Links (Pre-COVID-19),” to post one big link dump for coronavirus-related things. But the hyperarchival barrage of news over the past three months, including everything that has happened in the United States the past three weeks (combined with how little time I still have . . .), has made it clear that it would be better to divide posts into smaller, more manageable bits. So here is everything I came across from March 11-April 15, 2020. More to come soon.
Sheri Fink and Mike Baker, “‘It’s Just Everywhere Already’: How Delays in Testing Set Back the US Coronavirus Response.”
IHME, “COVID-19 Projections.”
Katie Zezima, Joel Achenbach, Tim Craig, and Lena H. Sun, “Coronavirus Is Shutting Down American Life as States Try to Battle Outbreak.”
Coronavirus Think Pieces (General)
Laurie Penny, “This Is Not the Apocalypse You Were Looking For.”
Naomi Klein, “Coronavirus Capitalism–and How to Beat It.”
Frank Pasquale, “Two Timelines of COVID Crisis.”
Arundhati Roy, “The Pandemic Is a Portal.”
Anne Applebaum, “The Coronavirus Called America’s Bluff.”
Dan Kois, “America Is a Sham.”
More poems from my ongoing sonnet sequence, “2016.31,” “2016.33,” “2016.36: Preface” (a long prefatory poem), and “2017.01: Afterword,” are in the third issue of Always Crashing. I’m delighted to share the pages with Louis Armand, Jill Khoury, Joe Sacksteder, Claire Marie Stancek, John Trefry, and many others.
There will also be a two night reading celebrating the issues release at 7:00 p.m. on May 28 and 29, 2020, via Zoom. RSVP at https://bit.ly/2WGDD7d. I’ll be reading for a few minutes on the 29th.
I am totally humbled by the inclusion of my poems, “Dead Horse Bay” and “Archives of Winter,” in a special issue of Dispatches from the Poetry Wars: “Poetics for the More-than-Human World: An Anthology of Poetry and Commentary,” edited by Mary Newell, Bernard Quetchenbach, and Sarah Nolan. Other contributors include Rae Armantrout, Rachel Blau DuPlessis, Jane Hirshfield, Cynthia Hogue, Angela Hume, Michael McClure, John Shoptaw, Stephanie Strickland, Harriet Tarlo, Edwin Torres, and many, many others.
The issue also includes a section of commentary, reviews, and criticism, including a review of Kristin George Bagdanov’s Fossils in the Making (2019), and essays by Lynn Keller, Hogue, Cole Swensen, and (again) many others.
Here is the press release from Dispatches:
Announcement: Release of Online Anthology
POETICS FOR THE MORE-THAN-HUMAN WORLD!
We are delighted to announce the special Ecopoetry issue of Dispatches from the Poetry Wars journal, titled “Poetics for the More-than-Human World: An Anthology of Poetry and Commentary,” co-edited by Mary Newell, Sarah Nolan, and Bernard Quetchenbach. The issue offers a core sample of diverse approaches to ecologically oriented poetics, representing 150 contemporary authors from a wide range of bioregions and nations. In addition to poetry, the issue features critical commentary, interviews, a preview selection of Cognitive Ecopoetics,by Sharon Lattig, and reviews of current anthologies.
In this time of planetary challenge from changes to climate and water level, atmospheric pollution, viral scourges, and threats of mass species extinction, our interconnectedness across boundaries of nationality, ethnicity, and other sociocultural labels has been underscored by our common plight. How can we bear witness to this situation, how might we harness our fear, anger, hope, wonder, in ways that will encourage a renewed commitment to live sustainably in our shared home? May this anthology offer fresh impressions of the life of this chaotic but still resplendent planet we share. May you find pleasures, surprises, insights, and inspiration, and may some of the poems resound in you and provide sustenance and energy on your own path toward living conscientiously. Visit dispatchespoetrywars.com.
UPDATE MAY 26, 2020
Two more poems from my new project, “Meditations at Oneonta” and “Humid Figures and a Handful of Dust,” are in Pamenar Online Magazine. Honored to have these in this excellent and supportive international journal. I also recorded “Meditations at Oneonta”; you can listen to it here.
Update: Deadline Extended until March 29, 2020.
Given my ongoing interest in megatexts and other emerging hybrid and transmedia forms, I am organizing a panel on emergent literary forms of the twenty-first-century for the 2021 Modern Language Association Convention in Toronto, Ontario. Please consider submitting an abstract to festb[at]hartwick[dot]edu.