It’s been a fun, eventful, interesting, and, of course, busy first semester at Hartwick College. Everything else, however, is quite dark. Some links.
Nuclear and Environmental
US Global Change Research Program, “Climate Science Special Report.”
Ariel Norfman, “Nuclear Apocalypse Now?”
Elizabeth Kolbert, “Going Negative: Can Carbon-Dioxide Removal Save the World?”
Mike Davis, “Nuclear Imperialism and Extended Deterrence.”
Neena Satija, Kiah Collier, Al Shaw, and Jeff Larson, “Hell or High Water.”
Brian Merchant, “Climate Change Denial Should Be a Crime.”
Trump, Politics, and History
The Editorial Board of The New York Times, “A Historic Tax Heist.”
Vice News Tonight, “Charlottesville: Race and Terror.”
Michael Eric Dyson, “Charlottesville and the Bigotocracy.”
Mark Sussman, “Monsters of Adaptability.”
Stephen Metcalf, “Neoliberalism: The Idea that Swallowed the World.”
Jack Goldsmith, “Will Donald Trump Destroy the Presidency?”
Joseph S. O’Leary, “Steve Bannon’s Ghostly Triumph.”
David Singh Grewal and Jedediah Purdy, “Law and Neoliberalism.”
Laurie Penny, “The Global Jitters.”
Jonathan Franzen, “Is It Too Late to Save the World?”
David Zirin, “For the NFL, It Was ‘Choose-Your-Side Sunday’.”
Bill Simmons, “Donald Trump and the NFL’s Unsolvable Crisis.”
Joshua M. Patton, “The Most Deplorable Man in America.”
Susan Sontag, “Fascinating Fascism.”
Gabriel Winant, “Not Every Kid-Bond Matures.”
James Bridle, “Something Is Wrong on the Internet.”
Rebecca Lossin, “Against the Universal Library.”
Ian Bogost, “Network Neutrality Can’t Fix the Internet.”
Rhizome, Net Art Anthology.
Brewster Kahle, “Books from 1923 to 1941 Now Liberated!”
Emily Temple, “10 Famous Book Hoarders.”
And Scott Huler, review of The Chicago Manual of Style, 17th ed.
Criticism and Theory
Charlie Schlenker, “ISU’s Charlie Harris Passes Away.”
Jeff Downing, “Charlie Harris.”
Alexander R. Galloway, “Peak Deleuze and the ‘Red Bull Sublime.'”
Fred Moten, preface to Black and Blur.
Peter Gratton, “Foucault Now.”
Ivana Perić, “Remembering Edward W. Said.”
Sarah Brouillette, “On Some Recent Worrying over World Literature’s Commodity Status.”
N. Katherine Hayles, review of Plain Text: The Poetics of Computation, by Dennis Tenen.
Anthony Galluzzo, “Utopia as Method, Social Science Fiction, and the Flight From Reality,” review of Four Futures: Life after Capitalism, by Peter Frase.
Tom Eyers, “The Matter of Poetry,” review of The Limits of Fabrication: Materials Science, Materialist Poetics, by Nathan Brown.
Nicola Masicandaro, “Everything Is Your Fault.”
Anastasia Ulanowicz and Manisha Basu, eds., The Aesthetics and Politics of Global Hunger.
John Ashbery (1927-2017)
David Orr and Dinitia Smith, “John Ashbery Is Dead at 90; a Poetic Voice Often Echoed, Never Matched.”
John Ashbery, “Ignorance of the Law Is No Excuse.”
Queen Mob’s Teahouse, Ashbery on Film.
Charles Bernstein, “In the Wild: Remembering John Ashbery.”
Eileen Myles, “On John Ashbery.”
Anselm Berrigan, “When Most Needed: Remembering John Ashbery.”
Christian Lorentzen, “Listening to John Ashbery.”
Matthew Zapruder, “John Ashbery, a Poet of the Ineffable who Mastered Many Modes.”
Kimberly Quiogue Andrews, “Learning to Read (with) John Ashbery.”
Literature and Culture
Racheal Fest, “Wicked Whitmans on TV.”
Claire Dederer, “What Do We Do with the Art of Monstrous Men?”
Ben Lerner, “Beyond ‘Lyric Shame.'”
David Streitfeld, “Writing Nameless Things: An Interview with Ursula K. Le Guin.”
Ann VanderMeer and Jeff VanderMeer, “The Rise of Science Fiction from Pulp Mags to Cyberpunk.”
Alex Sorondo, “Meta-Pleasure,” review of The Familiar, vol. 5, by Mark Z. Danielewski.
Mary Pappalardo, “Pictures at an Exhibition.”
Chris Kraus, “Sex, Tattle and Soul: How Kathy Acker Shocked and Seduced the Literary World,” Kraus and Jarett Kobek, “Transgression Has Become So Banal,” and Matias Viegener interviews Kraus, “The Life, Death, and Afterlife of Kathy Acker.”
Morgan Teicher, “Deep Dives Into How Poetry Works (and Why You Should Care),” review of A Little Book on Form: An Exploration into the Formal Imagination of Poetry, by Robert Haas, and American Originality: Essays on Poetry, by Louise Glück.
Matthew Zapruder, “What Poetry Can Teach Us about Power.”
Charles Bernstein, foreword to Maxwell Clark’s (((…))).
Francesca Pellas, “‘What I’m Trying to Leave Behind’: An Interview with Jhumpa Lahiri.”
Martin Hägglund, “Knausgaard’s Secular Confession.”
Len Gutkin, “Twin Peaks: The Return: Genre Mistuned.”
J. D. Connor, “Variety Show.”
David Auerbach, “Twin Peaks Finale: A Theory of Cooper, Laura, Diane, and Judy.”
Jonathan Foltz, “David Lynch’s Late Style.”
Aaron Bady, “You’ll Never See the Northern Lights.”
Matthew Friedman, “Days of Future Past in Blade Runner 2049.”
Wendy Hui Kyong Chun, “All Snowflakes Must Melt: Blade Runner 2049.”
Jordan Brower, “Hacking It: Blade Runner 2049.”
Wil Collins, “The Secret History of Dune.”
Harris Feinsod, The Poetry of the Americas: From Good Neighbors to Countercultures.
Evan Calder Williams, “Snake Plissken’s Letter to Sallie Mae Student Loan Services.”
Venkatesh Rao, “The Premium Mediocre Life of Maya Millennial.”
Rachel Stone, “The Trump-Era Boom in Erasure Poetry.”
Lauren Russell, What’s Hanging on the Hush.
Salvatore Pane, “The Existential Despair of Magikarp Jump.”
Mike Good, review of I Know Your Kind, by William Brewer.
Nick Greer, “IIIII. Rite of the Many Shells.”
PELT, “Temporalities,” vol. 4.
Humanities and Higher Education
Wendy Brown, “The Grad Tax Is an Assault on the Public Good.”
Derek Thompson, “The Republican War on College.”
Marilynne Robinson, “What Are We Doing Here?”
Andrew Goldstone, “The Uncounted: Jobs and Graduates.”
Andrew Piper and Chad Wellmon, “How the Academic Elite Reproduces Itself.”
Timothy Brennan, “The Digital-Humanities Bust.”
K. A. Amienne, “Abusers and Enablers in Faculty Culture.”
Eva Swidler, “The Pernicious Silencing of Adjunct Faculty.”
Rebecca Schumann, “Rate My JIL 2018!”
John Rauschenberg, “Dante’s Nine Circles of Hell, Reimagined for Linguistic Transgressions.”
And Tiffany Ball, “Academic Job Market or Terminal Illness?”