I am beginning my second year teaching English and creative writing at Hartwick College this week. Here is the syllabus for my fall class:
Nuclear and Environmental
Joshua Miller, “Ed Markey’s Career-Long Fight against Nuclear Weapons.”
Kim Stanley Robinson, “Empty Half the Earth of Its Humans. It’s the Only Way to Save the Planet.”
Ursula K. Heise, “Climate Stories” and Kate Marshall, “The Readers of the Future Have Become Shitty Literary Critics,” reviews of The Great Derangement, by Amitav Ghosh.
Kate Aronoff, “Denial by a Different Name.”
Last night I was the featured writer at the monthly Writers’ Salon at the Center for the Arts Network of Oneonta in Oneonta, New York. Among other poems, I read “Symphony of the Great Transnational,” a long poem from my first book, The Rocking Chair (Blue Sketch, 2015). Here is a link to the recording; a slightly different version of the poem was originally published in Spork in 2007.
My essay, “Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents,” has been published in CounterText: A Journal for the Study of the Post-Literary in the the second of two special issues devoted to Ghosh and Miller’s book. The first issue is available here, and the second has an interview with Miller available from behind the paywall. I’ve included an abstract of my essay below, along with a table of contents.
Abstract: This review essay approaches Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents (Duke UP, 2016) from a set of questions about what it means to read in the age of hyperarchival accumulation. Written against the background of events in the United States and elsewhere during the fall of 2017, the essay tracks and assesses Ghosh and Miller’s differing methods for approaching literary study in the twenty-first century: undiscriminating catholicity and rhetorical reading, respectively. Through emblematic readings of David Foster Wallace’s novel The Pale King (2011), the videogame Katamari Damacy (2004), and Amy Hungerford’s Making Literature Now (2016), this essay argues that Thinking Literature across Continents self-reflexively models and performs the interested, situated reading practices necessary for continuing the never-ending project of encountering, sharing, accounting for, learning from, and contending with others and their divergent readings, practices that, though many may have lost sight of them today, are fundamental to the project of democracy itself.
“Thinking Literature Across . . . II,” special issue, CounterText, table of contents:
Shortly following the completion of my dissertation, in the summer of 2013 I had the great honor and privilege to interview one of the preeminent literary critics of the twentieth and twenty-first centuries, J. Hillis Miller. That interview was published as “Isn’t It a Beautiful Day? An Interview with J. Hillis Miller” in the fall 2014 issue of boundary 2.
The interview has been reprinted in Reading Inside Out: Interviews and Conversations, a collection of interviews with Miller spanning the latter part of his career, edited by David Jonathan Y. Bayot and recently published by Sussex Academic Press. (The book is also available at a fairly reasonable price on Amazon.com.) In the table of contents below, I’ve provided links to where the other interviews in the volume were originally published (to the best of my ability).
Reading Inside Out: Interviews and Conversations, by J. Hillis Miller
Table of Contents
David Jonathan Y. Bayot, “Preface.”
J. Hillis Miller, “Introduction.”
Anfeng Sheng, “Literary Studies in Contexts” (2006).
Éamonn Dunne, Michael O’Rourke, Martin McQuillan, Graham Allen, Dragan Kujundžić, and Nicholas Royle, “You See You Ask an Innocent Question and You’ve Got a Long Answer” (2014).
Bradley J. Fest, “Isn’t It a Beautiful Day?” (2014).
Christopher D. Morris, “A Critical Story So Far” (2015).
I will be a featured writer at the monthly Writer’s Salon held by the Community Arts Network of Oneonta (CANO) on Thursday, May 17, 2018 from 7:30 – 9:00 pm. CANO is in the Wilber Mansion at 11 Ford Ave. in Oneonta, NY. There will be an open mic, followed by a roughly forty-five minute reading of my work and a Q & A.
I will be reading selections from my first two books, The Rocking Chair (Blue Sketch, 2015) and The Shape of Things (Salò, 2017), along with poems from my sequence, 2013-2016: Sonnets, and new poems from an untitled project.