If you attended the virtual 2021 Modern Language Association Conference but were unable to come to the roundtable I organized, Twenty-First-Century Forms, you can watch a recording of it here (I believe for about six weeks). The speakers were (in order): myself, Amy Sara Carroll, Racheal Fest, Christian P. Haines, Hyemin Kim, and Eric Loy. For more information, see my previous post.
For this year’s Modern Language Association Convention, to be held virtually from January 7–10, 2021, I organized and will be speaking on a roundtable on Twenty-First-Century Forms, along with Amy Sara Carroll, Racheal Fest, Christian P. Haines, Hyemin Kim, and Eric Loy. I have included the information about the panel and, below that, full abstracts from each speaker.
181. Twenty-First-Century Forms
Thursday, January 7, 2020, 7:00 – 8:15 p.m. (EST)
If the novel and lyric poem have become residual forms, what literary forms are emerging in contemporaneity? Participants explore emergent literary forms of the twenty-first century and their relationship with, instantiation in, or remediation by other (digital) media: film, television, video, graphic narrative, video games, transmedia, or other hybrid, novel, or megatextual forms.
Amy Sara Carroll (U of California, San Diego)
Bradley Fest (Hartwick C)
Racheal Fest (State U of New York, Oneonta)
Christian Haines (Penn State U, University Park)
Hyemin Kim (Baruch C, City U of New York)
Eric Loy (U of Rochester)
Bradley Fest (Hartwick C)
In addition to the release of The Rocking Chair by Blue Sketch Press on 1 August 2015, and “Poetics of Control,” my recent review of Alexander R. Galloway’s The Interface Effect (2012), I’ve completed a number of exciting projects over the last three months, so be on the lookout for a couple essays, another review, an interview, and more poems in 2015 and 2016. For now, however, some links have been piling up over this historic month.
David M. Perry, “A New Right Grounded in the Long History of Marriage.”
Claudia Rankine, “‘The Condition of Black Life Is One of Mourning.'”
Emma Green, “Black Churches Are Burning Again in America.”
The Editorial Board of The New York Times, “Take Down the Confederate Flag, Symbol of Hatred.”
To put off grading for a little while longer, here are a handful of links.
Nuclear and Disaster
Sir Martin Rees, “Can We Prevent the End of the World?”
Charlie Savage and James Risen, “Senate Rejects Claim on Hunt for Bin Laden.”
Alexis C. Madrigal, “What It’s Like to Work for Donald Rumsfeld.”
I have had a great couple days listening to the boundary 2 conference. And after a productive and interesting week teaching Dear Esther (2012), Gone Home (2013), and Jennifer Egan‘s Look at Me (2001), I’m going to take the day to deeply immerse myself in football. So, I have a bit of time for some links.
Science and Environment
Geoff Brumfiel, “New Clock May End Time as We Know It.”
When looking earlier today at a bunch of striking photorealist painting and drawing, I came across the image below. It is a charcoal drawing of the nuclear bombing of Nagasaki by artist Robert Longo. (Strangely enough, in addition to being an artist, he also directed the 1995 film Johnny Mnemonic, based on a William Gibson short story. It was Longo’s only feature film.) He has a whole series of charcoal drawings of nuclear explosions. His website is here. His work is also currently part of a group exhibition, “Disaster: The End of Days,” at the Galerie Thaddaeus Ropac in Paris.