At this year’s Modern Language Association Convention in Seattle (January 9-12, 2020), I will be speaking on a round table discussing Bad Books. I have included the information about the panel and a tentative abstract for the paper I will be presenting below.
338. Bad Books
Friday, January 10, 2020, 1:45-3:00 pm, 617 (WSCC)
Presiding: Eric Loy
1. “Notes on Notes on Notes: Glenn Ligon Reads James Baldwin,” Paul Benzon (Skidmore C)
2. “Books Behaving Badly: The Raison d’Être behind Perec’s La Disparition,” Priya Wadhera (Adelphi U)
3. “Debilitated Forms and Forms of Debility: On Writing a Failed Book,” Sharon Tran (U of Maryland Baltimore County)
4. “The Space of Megatexts: ‘Reading’ Mark Leach’s Marienbad My Love,” Bradley J. Fest (Hartwick C)
The Space of Megatexts: “Reading” Mark Leach’s Marienbad My Love
At over seventeen million words and consisting of seventeen volumes printed in dense eight-point font, the second edition of Mark Leach’s Marienbad My Love (2008; 2nd ed., 2013) currently holds the record as the world’s longest novel and is what I have elsewhere called a megatext. Composed over the course of thirty years using a number of digital techniques, the result is one of the more spatially imposing works of literature to ever sit on a shelf. Because of this, it also appears that no one has really bothered to read it. Whether this is due to some prejudice against self-publication or critics’ perceptions of authorial vanity, the sheer unreadable size of the text has discouraged anyone from taking Leach’s work all that seriously. I believe this is a mistake and this paper aims to seriously consider a remarkable project that rebelliously pushes against the conceptual, temporal, and physical boundaries of the codex novel. The revisions made to the second edition of the text indicate that not only does Leach intend for people to actually read his book, but also that Marienbad My Love is in fact a complex theoretical statement about the novel in the digital age and a meditation on the present and future of literary writing. In this paper, I will argue that accounting for Marienbad My Love’s material size by finding ways to speculatively (and actually) read this unreadable text will encourage us to rethink how we theorize the novel in the twenty-first century.
For previous essays of mine on megatexts and unreadable texts, see:
“Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s ‘Breeze Avenue Working Paper.'”
“Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents.”
“Writing Briefly about Really Big Things.”
“The Megatext and Neoliberalism.”
“The Time of Megatexts: Dark Accumulation and Mark Z. Danielewski’s The Familiar.”
I am thrilled and honored to announced that I have been named one of the 2019-20 Winifred D. Wandersee Scholars in Residence at Hartwick College. This award and program will support continued work on my current book project, Too Big to Read: The Megatext in the Twenty-First Century.
For a glimpse into this work in progress, see my essay, “Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s ‘Breeze Avenue Working Paper.'”
As part of Hartwick’s Faculty Lecture Series, I will be giving a talk on May 2, 2018 at 12:20 pm in the Eaton Lounge of Bresee Hall at Hartwick College in Oneonta, New York. The title of my lecture is “Too Big to Read: The Megatext in the Twenty-First Century,” and I will be presenting preliminary chapter from my work in progress of the same name.
In this new project, I am investigating the impact of massive textual accumulation on contemporary literary production and reception. With the increasing space made available by digital technology, texts are being created that are simply gigantic, unthinkably large compared to the previous century’s storage capacities. For instance, conceptual artist Michael Mandiberg recently printed out the entirety of Wikipedia in over seven thousand bound volumes, at some point in the near future Richard Grossman will publish a three-million-page “novel,” Breeze Avenue, and 2016 saw the appearance of No Man’s Sky, a videogame containing eighteen quintillion planets. I argue that with the appearance of such massively unreadable cultural artifacts—texts that are, quite literally, too big to read—the digital age has seen the emergence of a new transmedia form: what I call the megatext. I define megatexts as unreadably large yet concrete aesthetic and rhetorical objects that are produced and conceived as singular works and that depend upon digital technology and collaborative authorship for their production. Using the working paper for Grossman’s forthcoming Breeze Avenue as a case study, this lecture will present a theory of speculative criticism for approaching these massive texts. Drawing upon Timothy Morton’s concept of the hyperobject and suggesting that megatexts have roots in literary postmodernism, this talk will explore some of the ways that megatexts respond to the conditions of the Anthropocene and open up new spaces for imaginative reading, creation, and understanding in contemporaneity.
For a (longer) published version of this lecture, see “Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s ‘Breeze Avenue Working Paper,” in Scale in Literature and Culture, ed. Michael Tavel Clarke and David Wittenberg (New York: Palgrave Macmillan, 2017), 253-80.
For other parts of this work in progress, see “The Megatext and Neoliberalism” and “The Time of Megatexts: Dark Accumulation and Mark Z. Danielewski’s The Familiar,” both available on my academia.edu page. I also have a forthcoming short essay discussing this project: “Writing Briefly about Really Big Things,” in Begging the Question: Chauceriana, Book History, and Humanistic Inquiry (Mythodologies II), by Joseph A. Dane (Los Angeles: Marymount Institute Press, forthcoming 2018).
“Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s ‘Breeze Avenue Working Paper,'” the first essay from a new project on what I have been calling megatexts, will appear in Scale in Literature and Culture, edited by Michael Tavel Clarke and David Wittenberg. The collection of essays will be published by Palgrave Macmillan and will hopefully come out later this year. More information to come.