The final poem in my “Archives” series, “Archives of Spring,” is out in The Decadent Review. The whole series can be accessed here. Enormous thanks to Dimitri Kaufman, editor of The Decadent Review, for presenting these poems in such a wonderful fashion over the past year. And if you want links to each individual other poem, here they are: “Archives of Summer,” “Archives of Autumn,” and “Archives of Winter.”
Postrock
“Archives of Winter” in The Decadent Review
The third poem in my “Archives” series, “Archives of Winter,” is out in The Decadent Review; spring is forthcoming. (“Archives of Winter” originally appeared at Dispatches for the Poetry Wars, and was reprinted in the Poetics for the More-than-Human-World anthology.)
“Archives of Autumn” in The Decadent Review
The second poem in my “Archives” series, “Archives of Autumn,” is out in The Decadent Review. Winter and spring are forthcoming.
2022–25 Cora A. Babcock Chair in English at Hartwick College
I am thrilled and honored to announced that for the next three years (2022–25), I will be the Cora A. Babcock Chair in English at Hartwick College. This position will support continued work on my current scholarly book project, Too Big to Read: The Megatext in the Twenty-First Century, the publication of my just completed poetry manuscript, Postrock, and my next two books of poetry, 2018–202X: Sonnets and Synthwave.
For a glimpse into this work in progress, see my recent essay, “‘Is an Archive Enough?’: Megatextual Debris in the Work of Rachel Blau DuPlessis,” and some select poem(s) from Postrock and from 2018–202X: Sonnets.
I also get to host an annual Babcock Lecture for the duration of the appointment [stay tuned].
“c o n t e m p o r a n e i t y,” “Silence,” and “Blason IV” in Version (9) Magazine
I’m delighted to have “c o n t e m p o r a n e i t y,” “Silence,” and “Blason IV,” poems from my current project, Postrock, in the first issue of Version (9) (Summer 2021), a magazine exploring theory in contemporary poetry.
“Blason I,” “Blason II,” and “Blason III” in The Second Chance Anthology
“Blason I,” “Blason II,” and “Blason III,” poems from my current ongoing project, Postrock, have been republished in The Second Chance Anthology, which will appear from Variant Literature on August 1, 2020. (Order it here; read it here.) The anthology features “work that has been pulled, withdrawn, [or] removed without notice from” a number of different publications. I’m especially thankful to Tyler Pufpaff and the editors of Variant Literature for finding a new home for the orphaned writing of so many great writers.
“Paraclausithyron” in Flatbush Review
Another poem from my new project, “Paraclausithyron,” is in the fifth issue of the Flatbush Review.
“Meditations at Oneonta” and “Humid Figures and a Handful of Dust” in Pamenar
Two more poems from my new project, “Meditations at Oneonta” and “Humid Figures and a Handful of Dust,” are in Pamenar Online Magazine. Honored to have these in this excellent and supportive international journal. I also recorded “Meditations at Oneonta”; you can listen to it here.
Reading at the Community Arts Network of Oneonta
I will be a featured writer at the monthly Writer’s Salon held by the Community Arts Network of Oneonta (CANO) on Thursday, May 17, 2018 from 7:30 – 9:00 pm. CANO is in the Wilber Mansion at 11 Ford Ave. in Oneonta, NY. There will be an open mic, followed by a roughly forty-five minute reading of my work and a Q & A.
I will be reading selections from my first two books, The Rocking Chair (Blue Sketch, 2015) and The Shape of Things (Salò, 2017), along with poems from my sequence, 2013-2016: Sonnets, and new poems from an untitled project.
The Hyperarchival Parallax 