Reading of “Volcanoes/Organics” and Other Poems

On September 18, 2018, I read some poems with Julie Suarez-Hayes at SUNY Oneonta  in Oneonta, NY for the Red Dragon Reading Series. I read “Volcanoes/Organics” and “Nothingness Introduced into the Heart of the Image,” from The Rocking Chair (Blue Sketch, 2015), and “Fallout: New Vegas” and “An Open Letter to Narcissus: The Magazine by Narcissists, for Narcissists,” from The Shape of Things (Salò, 2017). I concluded with a couple poems from a new project, which I have omitted from the recording. Roger W. Hecht provided a wonderful introduction. Thanks to Ruth Carr for the recording, and to George Hovis and Bob Bensen for inviting me to read.

Here is a link to the audio.

And a clip of “Volcanoes/Organics”:

 

August and September Readings in Oneonta

I’ll be giving two readings in Oneonta this fall. The first is later today at the City of the Hills Arts and Music Festival Big Read-In. The event is sponsored by the Community Arts Network of Oneonta, and I’ll be reading at Capresso Coffee Bar and Cuisine on August 4 at 1:00 pm. The event goes from 12:00 – 3:30 pm, with Carol Ohmart Behan, Racheal Fest, April Ford, Betty Fraley, and Andrew Reinbach also reading, followed by an open mic.

I will also be reading as part of SUNY Oneonta’s Red Dragon Reading Series on Tuesday, September 18, 2018 at 7:30 pm in the CME Great Room with Julie Suarez-Hayes.

Reading of “Symphony of the Great Transnational”

Last night I was the featured writer at the monthly Writers’ Salon at the Center for the Arts Network of Oneonta in Oneonta, New York. Among other poems, I read “Symphony of the Great Transnational,” a long poem from my first book, The Rocking Chair (Blue Sketch, 2015). Here is a link to the recording; a slightly different version of the poem was originally published in Spork in 2007.

Special Issues of CounterText on Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents

I have written an essay, “Reading Now and Again:  Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature across Continents,” which will appear in the spring issue of CounterText: A Journal for the Study of the Post-Literary, the second of two special issues devoted to Thinking Literature across Continents (Duke UP, 2016). I’ll provide more information about this essay at a later date.

In the meantime, the first issue of CounterText addressing Ghosh and Miller‘s book (vol. 3, no. 3) is now available. Additionally, a conversation between Marjorie Perloff, Charles Bernstein, and the two authors opening the special issue is available from behind the journal’s paywall.


“Thinking Literature Across . . .,” special issue, CounterText, table of contents:

Marjorie Perloff, J. Hillis Miller, Charles Bernstein. and Ranjan Ghosh, “The CounterText Conversation: Thinking Literature. . . .”

Maria Margaroni, “Dialogics, Diacritics, Diasporics: Ranjan Ghosh, J. Hillis Miller, and the Becoming-Now of Theory.”

Georges Van Den Abbeele, “Literary Intransigence: Between J. Hillis Miller and Ranjan Ghosh.”

Claire Colebrook, “Crossing Continents.”

Steven Yao, “How Many Ways of Thinking Literature across Continents?”

Pramod K. Nayar, “Literature/Ethics/Reading.”

Susana Onega, “Thinking English Literature and Criticism under the Transmodern Paradigm.”

Lene M. Johannessen, “Poetics of Peril.”

Adrian Grima and Ivan Callus, “Irreverent and Inventive Mamo.”

Juann Mamo, Nanna Venut’s Children in America: Two Chapters from the First English Translation,” trans. Albert Gatt.

Ivan Callus, “Literature, Journalism, and the Countertextual: Daphne Caruana Galizia, 1964–2017.”

Mario Aquilina, review of Essayism and the Return of the Essay, by Brian Dillon.