Camilla Nelson has written a thoughtful and incisive review of Poetics for the More-Than-Human World: An Anthology of Poetry and Commentary, edited by by Mary Newell, Bernard Quetchenbach, and Sarah Nolan, published last year by Spuyten Duyvil (and in which I have a couple poems). The review appeared in vol. 2, no. 1 of Ecocene: Cappadocia Journal of Environmental Humanities.
The start to this academic year is again unconventional, but feeling much closer to normal, especially owing to Hartwick College’s reopening plans. I’m again teaching two frequently taught creative writing courses and revisiting Poetry and Technology. The syllabi:
ENGL 213 Introduction to Creative Writing
“2016.29” and “2016.30,” more sonnets from my ongoing sequence, have been published in issue 29 of Matter.
“2015.10,” “2015.23,” and “2016.10,” sonnets from my ongoing sequence, have been posted to the The Babel Tower Notice Board.
I didn’t get a lot of writing done this year, but some of the little I did is out today near its close. I am thrilled and honored to have the first of my pandemic sonnets—“2020.01,” “2020.02,” “2020.03,” “2020.04,” “2020.05,” and “2020.06”—in the online arm of Always Crashing. I also had important poems from the sonnet project, including the “long sonnet” “2016.36: Preface,” out in issue three of Always Crashing earlier this year. Thanks so much to the editors’ ongoing support of my work and this project.
“2015.09,” “2016.27,” “2018.01,” “2019.01,” and “2019.02,” sonnets from my ongoing sequence, are in the fifth issue of Call Me [Brackets], “Chaos.”
“Dead Horse Bay” and “Archives of Winter,” poems from my current ongoing project, Postrock, have been reprinted in Poetics for the More-than-Human World: An Anthology of Poetry and Commentary, edited by Mary Newell, Bernard Quetchenbach, and Sarah Nolan and published by Spuyten Duyvil.
The anthology was originally published online as a special issue of Dispatches from the Poetry Wars: “Poetics for the More-than-Human World: An Anthology of Poetry and Commentary.” Other contributors include Rae Armantrout, Rachel Blau DuPlessis, Jane Hirshfield, Cynthia Hogue, Angela Hume, Michael McClure, John Shoptaw, Stephanie Strickland, Harriet Tarlo, Edwin Torres, and many, many others.
“2015.11” and “2015.12,” two sonnets from my ongoing sequence, are in the sixth issue of Adjacent Pineapple. Thanks to Colin Herd for his patience with these.
Black Lives Matter
Gina Cherelus, “How We Juneteenth.”
Mariame Kaba, “Yes, We Mean Literally Abolish the Police.”
R. H. Lossin, “In Defense of Destroying Property.”
Coronavirus
b2o Review, “COVID-19 Dossier.”
Hortense J. Spillers, “Apocalypse Now and Then.”
Charles Bernstein, “Herd Immunity.”
Nathan L. Grant, “Horseman No. 5.”
The A-Line Editorial Staff, “Convergence 5: Apocalypse Now and Then.”
Adrian Parr, “Pandemic Urbanism.”
Neil Vallelly, “The Coronavirus Decade: Post-capitalist Nightmare or Socialist Awakening?”
Umair Haque, “If Life Feels Bleak, It’s Because Our Civilization Is Beginning to Collapse.”
Hamilton Nolan, “There Is No Plan (For You).”
Photo by Julio Cortez/AP/Shutterstock, May 28, 2020
Black Lives Matter, George Floyd, Breonna Taylor, Ahmaud Arbery, Rayshard Brooks . . . .
Ibram X. Kendi, “Who Gets to Be Afraid in America?” and “American Nightmare.”
Cornel West, “A Boot Is Crushing American Democracy.”
Democracy Now, “Uprising and Abolition: Angela Davis on Movement Building, ‘Defund the Police,’ and Where We Go from Here.”
Keeanga-Yamahtta Taylor, “Of Course There Are Protests. The State Is Failing Black People.”
Roxane Gay, “Remember, No One Is Coming to Save Us.”
Jeet Heer, “The Fire This Time.”
Melvin Rogers, “We Should Be Afraid, But Not of Protesters.”
Matthew Dessem, “Police Erupt in Violence Nationwide.”
Jamelle Bouie, “The Police Are Rioting. We Need to Talk About It.”
Adam Gabbatt, “Protests about Police Brutality Are Met with Wave of Police Brutality across US.”
Joshua Clover, “66 Days.”
Barbara Ehrenreich, “A Journalist Marked by Police Violence.”
Greg Afinogenov, “Everything Could Be Free.”
Jamilah King, “The Summer of 2020 Is Going to Be Long, Violent, and Necessary.”
Mara Gay, photographs by Jordan Gale, “The Nation’s Largest Police Force Is Treating Us as an Enemy.”
The Hyperarchival Parallax 