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Bradley J. Fest

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Hot Metal Bridge

Hot Metal Bridge Fall 2012

December 10, 2012December 10, 2012 / Bradley J. Fest / Leave a comment

The most recent issue of Hot Metal Bridge, Pitt’s graduate-run literary journal, just went live. HMB is currently being edited by my good friend Jennifer Howard.

Hot Metal Bridge

Hot Metal Bridge Issue 6: Return to Earth

December 11, 2009June 22, 2014 / Bradley J. Fest / Leave a comment

Please check out the latest issue of hotmetalbridge, Return to Earth.  Of special note is Christophe Collard’s “Remediating New Media, Staging Hypertext.” I just started reading Wilson, which he discusses, and am finding it to be quite fantastic.  Expect my own comments upon it here soon.

Review of Margaret Atwood’s Year of the Flood

October 31, 2009June 22, 2014 / Bradley J. Fest / Leave a comment

Just wrote a review for Margaret Atwood’s new novel, The Year of the Flood, more-or-less a sequel to her excellent Oryx and Crake.  Check it out here.

Podcast Poetry Reading

October 6, 2009June 22, 2014 / Bradley J. Fest / Leave a comment

Hear me from a poetry reading I gave about a year ago.

Inherent Vice

September 18, 2009June 22, 2014 / Bradley J. Fest / Leave a comment

Hmb.  Review I did there.  We’re desperate for awesome writing.  Please give us some.

Trauma Hope and Forgiveness in the Election of Barack Obama

April 7, 2009January 10, 2011 / Bradley J. Fest / Leave a comment

The new issue of HotMetalBridge, the University of Pittsburgh’s Grad Magazine, just went live.  Check out this killer piece on Obama and Ms. Forlow, my co-editor’s excellent interview with Anne Wysocki.

Books

Essays and Reviews

  • Apocalypse Networks: Representing the Nuclear Archive
  • Eternal, Shiny, and Chrome: The Fabulous Capitalist Megadisasters of the 2010s
  • Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia
  • Is an Archive Enough?: Megatextual Debris in the Work of Rachel Blau DuPlessis
  • Metaproceduralism: The Stanley Parable and the Legacies of Postmodern Metafiction
  • Mobile Games, SimCity BuildIt, and Neoliberalism
  • Poetics of Control, review of The Interface Effect, by Alexander R. Galloway
  • Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature Across Continents
  • Review: Consider David Foster Wallace: Critical Essays
  • The Function of Videogame Criticism, review of How to Talk About Videogames, by Ian Bogost
  • The Inverted Nuke in the Garden: Archival Emergence and Anti-Eschatology in David Foster Wallace’s Infinite Jest
  • Then Out of the Rubble: David Foster Wallace’s Early Fiction (in DFW and “The Long Thing”)
  • Then Out of the Rubble: The Apocalypse in David Foster Wallace’s Early Fiction (in Studies in the Novel)
  • Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s “Breeze Avenue Working Paper”
  • Writing Briefly About Really Big Things

Interviews

  • An Interview with Jonathan Arac
  • Grateful and Generous Reading: An Interview with Robert T. Tally Jr.
  • Isn’t It a Beautiful Day? An Interview with J. Hillis Miller (in boundary 2)
  • Isn’t It a Beautiful Day? An Interview with J. Hillis Miller (in Reading Inside Out: Interviews and Conversations, by J. Hillis Miller)
  • Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis

Poetry: Print

  • 2015.02
  • 2015.10, 2015.23, and 2016.10
  • 2015.13, 2015.16, 2015.25, and 2015.27
  • 2015.17
  • 2015.28
  • 2016.05 and 2016.08
  • 2016.11, 2016.13, 2016.20, 2016.24, and 2016.25
  • 2016.31, 2016.33, 2016.36: Preface, and 2017.01: Afterword
  • 2016.35 2016.35
  • Blason I, Blason II, and Blason III
  • Dead Horse Bay and Archives of Winter
  • Nothingness Introduced into the Heart of the Image
  • Sestina I, Sestina II, Sestina III, and Aubade and After
  • The Shape of Things I, Architects and Their Books, What We Are Looking At, Tristeza, An Ode to 2013: We Are the National Security Agency’s Children, Throw Out Your Life, and The Shape of Things II

Poetry: Online

  • 2013.01, 2013.02, and 2013.03
  • 2013.04, 2013.05, and 2013.06
  • 2014.01, 2014.02, 2014.03, 2014.04, 2014.05, and 2014.06
  • 2014.07, 2014.08, 2015.03, 2015.07, and 2015.08
  • 2015.01
  • 2015.04, 2015.15, 2015.18, 2015.26, 2016.02, and 2016.28
  • 2015.05 and 2015.06
  • 2015.09, 2016.27, 2018.01, 2019.01, and 2019.02
  • 2015.10, 2015.23, and 2016.10
  • 2015.11 and 2015.12
  • 2016.01, 2016.19, and 2016.23
  • 2016.04
  • 2016.09
  • 2016.15
  • 2016.16, 2016.17, 2016.18, 2016.21, 2016.22, and 2016.26
  • 2016.29
  • 2016.30
  • 2019.03
  • 2019.04
  • 2020.01, 2020.02, 2020.03, 2020.04, 2020.05, and 2020.06
  • 2020.07, 2020.08, 2020.09, 2020.10, and 2020.11
  • 2020.12, 2021.01, 2021.02, 2021.03, and 2021.04
  • 2021.05, 2022.03, and 2022.04. 2021.05, 2022.03, and 2022.04
  • 2021.06, 2022.01, 2022.05
  • 2022.02
  • 2022.06, 2023.02, 2023.03, 2023.04, and 2023.05–06
  • 2022.07, 2022.08–09, 2022.10, 2023.17–18, and 2023.19
  • 2022.11, 2023.01, 2023.11, 2023.12, 2023.13, and 2023.14
  • 2023.07–08 and 2023.10
  • 2023.15–16
  • 2023.21
  • 2023.22/24
  • 2023.25
  • 2023.26, 2023.27, and 2023.28
  • 2023.29–30, 2024.01–02, 2024.03, 2024.05–06, and 2024.08–09
  • 2023.32
  • 2024.04
  • 2024.07
  • A Second E(ff)luvium
  • Architects and Their Books
  • Archives of Autumn
  • Archives of Spring
  • Archives of Summer
  • Archives of Winter
  • c o n t e m p o r a n e i t y, Silence, and Blason IV
  • Dead Horse Bay and Archives of Winter
  • Ekphraseis
  • If the Marianas Trench Were a Gathering of Sound
  • Meditations at Oneonta and Humid Figures and a Handful of Dust
  • Oceanic and Survival City
  • One Summer near Niagara
  • The One (Symphony of the Great Transnational)
  • Paraclausithyron
  • Postrock
  • The Shape of Things I, We’re Just Like Yesterday’s Headlines, and Winter, or, Some (Future) Ambiguities
  • Two Parts of a Parallax Gap¹

Readings

  • 2017 – June 13: Hemingway’s Summer Poetry Series
  • 2017 — November 16: Visiting Writers Series at Hartwick College
  • 2018 — September 18: Red Dragon Reading Series
  • 2018 — May 17: Featured Writer at CANO’s Writers’ Salon
  • 2020 — July 16: Ecopoetics Reading
  • 2025 — April 27: Cleaver Issue 49 Release Reading

Reviews of Fest’s Work

  • Mike Good, review of The Rocking Chair

Social Media and Other Stuff

  • able was i
  • Academia.edu
  • Amazon
  • Blue Sky
  • English Grad Students in Love Part I
  • Facebook
  • Faculty Page
  • Mastodon
  • SoundCloud
  • Twitter

The Stacks

  • 2River View
  • After Happy Hour Review
  • The Airgonaut
  • Always Crashing
  • Apocalypse Confidential
  • The Babel Tower Notice Board
  • Bloomsbury Academic
  • Blue Sketch Press
  • Bonfire Reading Series
  • boundary 2
  • b2o
  • the b2o review
  • Breakwater Review
  • Broken Lens Journal
  • Bushel Collective
  • Call Me [Brackets]
  • Cambridge Scholars Publishing
  • Cleaver
  • Community Arts Network of Oneonta (CANO)
  • CounterText
  • Critical Quarterly
  • Critique: Studies in Contemporary Fiction
  • Dispatches from the Poetry Wars
  • Does It Have Pockets
  • Empty Mirror
  • Epigraph Magazine
  • Eunoia Review
  • Fathomsun Press
  • First Person Scholar
  • Flywheel Magazine
  • Genre: Forms of Discourse and Culture
  • Grain
  • Hartwick College – Babcock Lecture
  • Hartwick College Faculty Lecture Series
  • Hartwick College Visiting Writers Series
  • Hem Press
  • Hemingway’s Summer Poetry Series
  • HVTN
  • IceFloe Press
  • IDIOT
  • Likely Red
  • Literatura
  • LJMcD Communications (Lachlan J McDougall) and D.O.R (Deadly Orgone Radiation)
  • Lothlorien Poetry Journal
  • Magazine1
  • Mannequin Haus
  • Marymount Institute Press
  • Masque & Spectacle
  • Matter
  • Nerve Cowboy
  • Oneonta Literary Festival
  • Organism for Poetic Research
  • Osmosis
  • Palgrave Macmillan
  • Pamenar Press
  • Pine Hills Review
  • PLINTH
  • Rabid Oak
  • Racheal Fest
  • Red Dragon Reading Series
  • Salò Press
  • Spork
  • Spuyten Duyvil
  • Studies in the Novel
  • Sugar House Review
  • Sussex Academic Press
  • Tenebrae
  • Triple Canopy
  • TXTOBJX
  • Variant Literature
  • Verse
  • Version (9)
  • Wide Screen

Translations of Fest’s Work

  • Oblika reči I, Zima ali neke (prihodnje) dvoumnost, and Smo kot včerajšnje naslovnice, by Marko Bauer and Andrej Tomažin
  • Select Oda letu 2013: Smo otroci Nacionalne varnostne agencije, by Marko Bauer and Andrej Tomažin Oda letu 2013: Smo otroci Nacionalne varnostne agencije, by Marko Bauer and Andrej Tomažin

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