2013–2017: Sonnets

Now available! 2013–2017: Sonnets, my third book of poetry and the first volume of my American Sonnet sequence, has been published by LJMcD Communications. It can be ordered through Amazon

Fest, Bradley J--Cover for 2013-2017--cover

2013–2017: Sonnets is the first volume in Bradley J. Fest’s ongoing sequence of American sonnets, a project concerned with how the distributed networks of the twenty-first century construct and filter time. Continuing the program of poetic assemblage explored in his first two books, these poems were composed consecutively as emergent temporal snapshots documenting certain experiences of what it was like to live precariously in the overdeveloped world between 2013 and 2017. Over the past decade, this ongoing experimental sonnet sequence has become: a complex encounter with time and its twenty-first-century rhythms; a document of artistic maturation; a personal archive of occasions, moments, days; a continually refreshed confrontation with the global computational hyperarchive; a discography of popular music; an extended reflection on contemporary literature, art, and culture; an increasingly multiplex meditation on the sonnet; an historical record of the troubling national situation in the United States; and a work of mourning for a world disappearing into climate emergency. The second volume, currently in progress, begins in 2018.

Eternal thanks to Lachlan J. McDougall for bringing 2013–2017 into the world and to Taylor Baldwin for the cover image.

Fest, Bradley J--Cover for 2013-2017--spread

Hartwick College’s Faculty Lecture Series, Fall 2024

This fall, the Faculty Development Committee and the Office of Academic Affairs at Hartwick College will present three speakers in the annual Faculty Lecture Series.

All talks take place at during the common hour: 12:20–1:20 p.m. in Eaton Lounge, Bresee Hall at Hartwick College, Oneonta, New York.

Admission to the readings is free and the events are open to the public.


William Kowalczyk, “Sex and Drugs but No Rock and Roll,” Friday, September 13, 2024.

Stephanie Carr, “Coming from a Land Down Under: Researching New Life from the Marine
Subsurface,” Friday, October 4, 2024.

Richard Barlow, “Seeking Sources,” Friday, November 8, 2024.

For more information, visit the Faculty Lecture Series webpage.

Oneonta Literary Festival, October 17–21, 2024 and the 2024–25 Babcock Lecture.

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In collaboration with SUNY Oneonta’s Department of English, the Community Arts Network of Oneonta (CANO), the Huntington Library, and Oneonta High School, my colleague Tessa Yang and I are co-organizing the Oneonta Literary Festival, which will take place October 17–21, 2024 at various places in and around Oneonta.

For our part, Hartwick College is bringing in Anna Kornbluh to deliver the 2024–25 Babcock Lecture, “Historical Fictions, Heist Flicks, and other Climate Genres for a Burning World,” as part of the festival, along with Rachel Blau DuPlessis, Ross Gay, and Willy Palomo. For more information, please visit the Oneonta Literary festival website at www.hartwick.edu/literaryfestival. (The festival also takes place throughout the year [more info about year-long events here].)

At Hartwick College, the festival is supported by the Arts and Humanities Division, the Babcock Chair in English, the Department of Literature, Media, and Writing, a grant from the National Endowment for the Humanities, the Office of Academic Affairs, and the Visiting Writers Series.

“2015.10,” “2015.23,” and “2016.10” Reprinted in What We Did during the Apocalypse: The Archive of “The Babel Tower Notice Board”

What We Did During the Apocalypse--The Babel Tower Notice Board_Page_001The Babel Tower Notice Board, a pandemic project that existed between August 2020 and December 2021 edited by Richard Capener, was just collected in What We Did during the Apocalypse: The Archive of “The Babel Tower Notice Board” (Hem Press, 2024). I was thrilled then and continue to be thrilled that three sonnets of mine, “2015.10,” “2015.23,” and “2016.10,” are part of that project. Thanks again to Capener for his amazing work on The Babel Tower Notice Board, for his monthly Babel Parish Newsletter–a welcome dispatch during those difficult months–and for his continued great work with Hem Press.

(And “2015.10,” “2015.23,” and “2016.10” will all be collected in my third book of poems, 2013–2017: Sonnets, forthcoming in July from LJMcD Communications.)

Robert T. Tally Jr. to Deliver the 2023–24 Babcock Lecture at Hartwick College: “Mapping and Monsters: Critical Theory in the Teratocene”

Robert T. Tally Jr. will deliver the 2023–24 Babcock Lecture at 7:00 p.m. on Thursday, April 25, 2024 in the Eaton Lounge of Bresee Hall at Hartwick College.


“Mapping and Monsters: Critical Theory in the Teratocene” Dystopian visions in our time are complemented by, and subsumed within, a broader sense of the monstrous world system, which increasingly seems to involve the presence of actual monsters. Indeed, ours is a veritable teratocene or “age of monsters.” As the processes of globalization become more starkly experienced, monsters are increasingly rendered invisible or unknowable, as we find ourselves subject to an immense array of forces beyond our control. In the 2023–24 Babcock Lecture, starting with an oft-quoted, if misquoted, observation by Antonio Gramsci—i.e., “[t]he old world is dying, and the new world struggles to be born: now is the time of monsters,” which has circulated in recent years as almost a truism regarding our own historical moment—Robert Tally will discuss the ways in which this misquote (e.g., the more literal translation: “in this interregnum a great variety of morbid symptoms appear”) stands as a motto for our era nonetheless. Monsters and monstrosity have developed into critical embodiments of unnamed terrors in postmodernity, symbolizing aspects of globalization, thus making them exemplary figures of late capitalist dread. Drawing upon recent critical theory, Tally examines the “dialectic of fear” in connection with ideologies of the undead, among other monstrosities of our time.


tally-robert-t-jr-author-photoRobert T. Tally Jr. is professor of English at Texas State University. He is the author of a dozen books, including The Fiction of Dread: Dystopia, Monstrosity, and Apocalypse (Bloomsbury, 2024), Representing Middle-earth: Tolkien, Form, and Ideology (McFarland, 2024), The Critical Situation: Vexed Perspectives in Postmodern Literary Studies (Anthem, 2023), For a Ruthless Critique of All That Exists: Literature in an Age of Capitalist Realism (Zer0, 2022), and Topophrenia: Place, Narrative, and the Spatial Imagination (Indiana University Press, 2019). He has also edited more than a dozen books and special issues, including Spatial Literary Studies (Routledge, 2020), Teaching Space, Place, and Literature (Routledge, 2018), and The Routledge Handbook of Literature and Space (Routledge, 2017).

The 2023–24 Visiting Writers Series at Hartwick College

This year, Hartwick College and the Department of Literature, Media, and Writing will present four readings in the 2023–24 Visiting Writers Series. Readings take place at 7:00 in the Eaton Lounge, Bresee Hall at Hartwick College in Oneonta, New York.


Novelist and essayist Shena McAuliffe will read on Wednesday, October 11, 2023 from her new book of short stories, We Are a Teeming Wilderness: Stories (Press 53, 2023).

Poet and emeritus Hartwick professor Robert Bensen will read from his new book, What Lightning Spoke: New and Selected Poems (Bright Hill, 2023), on Wednesday, November 8, 20223.

Yumei Kitasei will read from her new novel, The Deep Sky (Flatiron Books, 2023), on Monday, March 4, 2024.

And poet essayist Joshua Zelesnick will read from his forthcoming poetry collection, Insert Coin (Finishing Line Press, forthcoming 2025), on Thursday, April 11, 2024.

For more information, visit the Visiting Writers Series webpage.