The Hyperarchival Parallax

Bradley J. Fest

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Chernobyl as Tourist Destination

Chernobyl as Tourist Destination?

April 23, 2012 / Bradley J. Fest / Leave a comment

Why, yes.

And also here at the BBC.

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Books

Essays and Reviews

Apocalypse Networks: Representing the Nuclear Archive
Eternal, Shiny, and Chrome: The Fabulous Capitalist Megadisasters of the 2010s
Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia
Is an Archive Enough?: Megatextual Debris in the Work of Rachel Blau DuPlessis
Metaproceduralism: The Stanley Parable and the Legacies of Postmodern Metafiction
Mobile Games, SimCity BuildIt, and Neoliberalism
Poetics of Control, review of The Interface Effect, by Alexander R. Galloway
Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller’s Thinking Literature Across Continents
Review: Consider David Foster Wallace: Critical Essays
The Function of Videogame Criticism, review of How to Talk About Videogames, by Ian Bogost
The Inverted Nuke in the Garden: Archival Emergence and Anti-Eschatology in David Foster Wallace’s Infinite Jest
Then Out of the Rubble: David Foster Wallace’s Early Fiction (in DFW and “The Long Thing”)
Then Out of the Rubble: The Apocalypse in David Foster Wallace’s Early Fiction (in Studies in the Novel)
Toward a Theory of the Megatext: Speculative Criticism and Richard Grossman’s “Breeze Avenue Working Paper”
Writing Briefly About Really Big Things

Interviews

An Interview with Jonathan Arac
Grateful and Generous Reading: An Interview with Robert T. Tally Jr.
Isn’t It a Beautiful Day? An Interview with J. Hillis Miller (in boundary 2)
Isn’t It a Beautiful Day? An Interview with J. Hillis Miller (in Reading Inside Out: Interviews and Conversations, by J. Hillis Miller)
Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis

Poetry: Print

2015.02
2015.10, 2015.23, and 2016.10
2015.13, 2015.16, 2015.25, and 2015.27
2015.17
2015.28
2016.05 and 2016.08
2016.11, 2016.13, 2016.20, 2016.24, and 2016.25
2016.31, 2016.33, 2016.36: Preface, and 2017.01: Afterword
2016.35 2016.35
Blason I, Blason II, and Blason III
Dead Horse Bay and Archives of Winter
Nothingness Introduced into the Heart of the Image
Sestina I, Sestina II, Sestina III, and Aubade and After
The Shape of Things I, Architects and Their Books, What We Are Looking At, Tristeza, An Ode to 2013: We Are the National Security Agency’s Children, Throw Out Your Life, and The Shape of Things II

Poetry: Online

2013.01, 2013.02, and 2013.03
2013.04, 2013.05, and 2013.06
2014.01, 2014.02, 2014.03, 2014.04, 2014.05, and 2014.06
2014.07, 2014.08, 2015.03, 2015.07, and 2015.08
2015.01
2015.04, 2015.15, 2015.18, 2015.26, 2016.02, and 2016.28
2015.05 and 2015.06
2015.09, 2016.27, 2018.01, 2019.01, and 2019.02
2015.10, 2015.23, and 2016.10
2015.11 and 2015.12
2016.01, 2016.19, and 2016.23
2016.04
2016.09
2016.15
2016.16, 2016.17, 2016.18, 2016.21, 2016.22, and 2016.26
2016.29
2016.30
2019.03
2019.04
2020.01, 2020.02, 2020.03, 2020.04, 2020.05, and 2020.06
2020.07, 2020.08, 2020.09, 2020.10, and 2020.11
2020.12, 2021.01, 2021.02, 2021.03, and 2021.04
2021.05, 2022.03, and 2022.04. 2021.05, 2022.03, and 2022.04
2021.06, 2022.01, 2022.05
2022.02
2022.06, 2023.02, 2023.03, 2023.04, and 2023.05–06
2022.07, 2022.08–09, 2022.10, 2023.17–18, and 2023.19
2022.11, 2023.01, 2023.11, 2023.12, 2023.13, and 2023.14
2023.07–08 and 2023.10
2023.15–16
2023.21
2023.22/24
2023.25
2023.26, 2023.27, and 2023.28
2023.29–30, 2024.01–02, 2024.03, 2024.05–06, and 2024.08–09
2023.32
2024.04
2024.07
A Second E(ff)luvium
Architects and Their Books
Archives of Autumn
Archives of Spring
Archives of Summer
Archives of Winter
c o n t e m p o r a n e i t y, Silence, and Blason IV
Dead Horse Bay and Archives of Winter
Ekphraseis
If the Marianas Trench Were a Gathering of Sound
Meditations at Oneonta and Humid Figures and a Handful of Dust
Oceanic and Survival City
One Summer near Niagara
The One (Symphony of the Great Transnational)
Paraclausithyron
Postrock
The Shape of Things I, We’re Just Like Yesterday’s Headlines, and Winter, or, Some (Future) Ambiguities
Two Parts of a Parallax Gap¹

Readings

2017 – June 13: Hemingway’s Summer Poetry Series
2017 — November 16: Visiting Writers Series at Hartwick College
2018 — September 18: Red Dragon Reading Series
2018 — May 17: Featured Writer at CANO’s Writers’ Salon
2020 — July 16: Ecopoetics Reading
2025 — April 27: Cleaver Issue 49 Release Reading

Reviews of Fest’s Work

Mike Good, review of The Rocking Chair

Social Media and Other Stuff

able was i
Academia.edu
Amazon
Blue Sky
English Grad Students in Love Part I
Facebook
Faculty Page
Mastodon
SoundCloud
Twitter

The Stacks

2River View
After Happy Hour Review
The Airgonaut
Always Crashing
Apocalypse Confidential
The Babel Tower Notice Board
Bloomsbury Academic
Blue Sketch Press
Bonfire Reading Series
boundary 2
b2o
the b2o review
Breakwater Review
Broken Lens Journal
Bushel Collective
Call Me [Brackets]
Cambridge Scholars Publishing
Cleaver
Community Arts Network of Oneonta (CANO)
CounterText
Critical Quarterly
Critique: Studies in Contemporary Fiction
Dispatches from the Poetry Wars
Does It Have Pockets
Empty Mirror
Epigraph Magazine
Eunoia Review
Fathomsun Press
First Person Scholar
Flywheel Magazine
Genre: Forms of Discourse and Culture
Grain
Hartwick College – Babcock Lecture
Hartwick College Faculty Lecture Series
Hartwick College Visiting Writers Series
Hem Press
Hemingway’s Summer Poetry Series
HVTN
IceFloe Press
IDIOT
Likely Red
Literatura
LJMcD Communications (Lachlan J McDougall) and D.O.R (Deadly Orgone Radiation)
Lothlorien Poetry Journal
Magazine1
Mannequin Haus
Marymount Institute Press
Masque & Spectacle
Matter
Nerve Cowboy
Oneonta Literary Festival
Organism for Poetic Research
Osmosis
Palgrave Macmillan
Pamenar Press
Pine Hills Review
PLINTH
Rabid Oak
Racheal Fest
Red Dragon Reading Series
Salò Press
Spork
Spuyten Duyvil
Studies in the Novel
Sugar House Review
Sussex Academic Press
Tenebrae
Triple Canopy
TXTOBJX
Variant Literature
Verse
Version (9)
Wide Screen

Translations of Fest’s Work

Oblika reči I, Zima ali neke (prihodnje) dvoumnost, and Smo kot včerajšnje naslovnice, by Marko Bauer and Andrej Tomažin
Select Oda letu 2013: Smo otroci Nacionalne varnostne agencije, by Marko Bauer and Andrej Tomažin Oda letu 2013: Smo otroci Nacionalne varnostne agencije, by Marko Bauer and Andrej Tomažin