In addition to the release of The Rocking Chair by Blue Sketch Press on 1 August 2015, and “Poetics of Control,” my recent review of Alexander R. Galloway’s The Interface Effect (2012), I’ve completed a number of exciting projects over the last three months, so be on the lookout for a couple essays, another review, an interview, and more poems in 2015 and 2016. For now, however, some links have been piling up over this historic month.
Adam Liptak, “Supreme Court Ruling Makes Same-Sex Marriage a Right Nationwide.”
David M. Perry, “A New Right Grounded in the Long History of Marriage.”
Transcript: Obama delivers eulogy for Charleston pastor, the Rev. Clementa Pinckney.
Claudia Rankine, “‘The Condition of Black Life Is One of Mourning.'”
Emma Green, “Black Churches Are Burning Again in America.”
The Editorial Board of The New York Times, “Take Down the Confederate Flag, Symbol of Hatred.”
R. drew my attention to this vexing article in yesterday’s New York Times: Adam Liptak‘s “Court Rulings Blur the Line Between a Spy and a Leaker.” An excerpt:
The federal government is prosecuting leakers at a brisk clip and on novel theories. It is collecting information from and about journalists, calling one a criminal and threatening another with jail. In its failed effort to persuade Russia to return another leaker, Edward J. Snowden, it felt compelled to say that he would not be tortured or executed.
These developments are rapidly revising the conventional view of the role of the First Amendment in national security cases. The scale of disclosures made possible by digital media, the government’s vast surveillance apparatus and the rise of unorthodox publishers like WikiLeaks have unsettled time-honored understandings of the role of mass media in American democracy.
Is it just me, or is contemporaneity becoming Orwellian far faster than I can keep up with?