Thanks so much to Cleaver for publishing another sonnet from my ongoing sequence, “2023.32,” in their forty-eighth issue.
2023
“2023.15–16” in Osmosis
I have a new (double) sonnet, “2023.15–16,” in Osmosis.
“Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis” in boundary 2
I am honored to say that my interview with the great poet and critic Rachel Blau DuPlessis, “Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis,” has just been published in the most recent issue of boundary 2. (This link should provide access for three months.) I am deeply grateful to DuPlessis for corresponding with me during the summer of 2020. In lockdown with no childcare, corresponding with DuPlessis via email to conduct this interview (when I had a spare moment or two to do so) played a large part in keeping me sane during that difficult time. A huge thanks also to Racheal and Aviva, who were right there every day along with me while this interview was being conducted.
Here’s an abstract of the interview:
This interview with poet, essayist, literary critic, and collagist Rachel Blau DuPlessis was conducted via email correspondence between June 11 and August 29, 2020. Author of over a dozen volumes of poetry and half a dozen books in modernist studies, poetics, and feminist criticism, DuPlessis reflects broadly on her career in this interview. She discusses the ongoing role of feminism in her writing and thought, the forms of the fold and the fragment, the relationship between her poetry and criticism, her work in and on the long poem, and her post‐Drafts poetry, including her (at the time) most recent book, Late Work (2020). The interview concludes with a conversation about the relationship between poetry and theorizing practices and a meditation on writing during a global pandemic.
For my writing on DuPlessis: “‘Is an Archive Enough?’: Megatextual Debris in the Work of Rachel Blau DuPlessis.”
And for previous interviews: “Isn’t It a Beautiful Day? An Interview with J. Hillis Miller” and “An Interview with Jonathan Arac.”
Reading at Bushel

At 6:00 p.m. on Wednesday, April 26, 2023, I’ll be reading poems—including some new ones (never before heard!)—at the Bushel Collective as part of a release event for the State University of New York at Delhi’s literary journal, Agate Literary and Arts Magazine. Bushel is located at 106 Main Street in Delhi, New York.
Update
Here’s a picture of my reading at Bushel. Thanks to Peter W. Brusoe for the pic.

“2022.06,” “2023.02,” “2023.03,” “2023.04,” and “2023.05–06″ in D.O.R (Deadly Orgone Radiation)
I’m delighted to have “2022.06,” “2023.02,” “2023.03,” “2023.04,” and “2023.05–06”—five very new sonnets—out in the second issue of D.O.R (Deadly Orgone Radiation), the journal publication of Lachlan J. McDougall‘s press, LJMcD Communications.
Spring Semester 2023: Syllabus
Because I am the 2022–25 Cora A. Babcock Chair in English, I have a course release each spring for the next three years. As such, I’ll only be teaching one class this semester, but I’m super excited about it: ENGL 412 Advanced Poetry Workshop.
MLA 2023: Twenty-First-Century Forms
For this year’s Modern Language Association Convention, to be held January 5–8, 2023 in San Francisco, California, I organized and will be speaking on a roundtable on Twenty-First-Century Forms, along with Daniel Burns, Zoe Bursztajn-Illingworth, Kathryn Harlan-Gran, Kevin Pyon, and Elizabeth Sotelo. I have included the information about the panel and, below that, full abstracts from each speaker.
197. Twenty-First-Century Forms
Friday, January 6, 2023, 8:30–9:45 a.m. (PST)
If one might argue that the novel and lyric poem have become residual forms, what literary forms are emerging in contemporaneity? Panelists explore emergent literary forms of the twenty-first century and their relationship with, instantiation in, or remediation by other (digital) media: film, documentary, social media, publishing platforms, transmedia, autotheory, and other hybrid narrative and poetic forms.
Speakers
Dan Burns (Elon University)
Bradley J. Fest (Hartwick College)
Zoe Bursztajn-Illingworth (The University of Texas at Austin)
Kathryn Harlan-Gran (Cornell University)
Kevin Pyon (Pennsylvania State University, Harrisburg)
Elizabeth Sotelo (University of Oregon)
Presiding
Bradley Fest (Hartwick College)