Spring 2023 Links

Nuclear and Environmental

Herman Kahn, On Thermonuclear War (1960).

Raymond Zhnog, “For Planet Earth, This Might Be the Start of a New Age.”

Nicholas Kristof, “Cheer Up! The World Is Better Off Than You Think.”

Rebecca Solnit, “What If Climate Change Meant Not Doom–But Abundance?”

Elizabeth Kolbert, “It’s Earth Day—and the News Isn’t Good.”

David Wallace-Wells, “Greta Thunberg: ‘The World Is Getting More Grim by the Day.'”

Mark O’Connell, “Our Way of Life Is Poisoning Us.”

Simon Schama, “Simon Schama on the Broken Relationship between Humans and Nature: ‘The Joke’s on Us. Things Are Amiss.'”

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2013–2017: Sonnets Will Be Published by LJMcD Communications in July 2024

Fest, Bradley J--Cover for 2013-2017--600 resolution--coverI am absolutely thrilled to announce that 2013–2017: Sonnets, the first volume of my ongoing sonnet sequence, will be published by LJMcD Communications in July 2024. I’ll update this page with more information when I have it, but for now, here’s a description of the book:

2013–2017: Sonnets is the first volume in Bradley J. Fest’s ongoing sequence of American sonnets, a project concerned with how the distributed networks of the twenty-first century construct and filter time. Continuing the program of poetic assemblage explored in his first two books, these poems were composed consecutively as emergent temporal snapshots documenting certain experiences of what it was like to live precariously in the overdeveloped world between 2013 and 2017. Over the past decade, this ongoing experimental sonnet sequence has become: a complex encounter with time and its twenty-first-century rhythms; a document of artistic maturation; a personal archive of occasions, moments, days; a continually refreshed confrontation with the global computational hyperarchive; a discography of popular music; an extended reflection on contemporary literature, art, and culture; an increasingly multiplex meditation on the sonnet; an historical record of the troubling national situation in the United States; and a work of mourning for a world disappearing into climate emergency. The second volume, currently in progress, begins in 2018.

Also, thanks much to my very good friend Taylor Baldwin for the amazing cover image: The Interpreter (2010).

“Archives of Spring” in The Decadent Review

The final poem in my “Archives” series, “Archives of Spring,” is out in The Decadent Review. The whole series can be accessed hereEnormous thanks to Dimitri Kaufman, editor of The Decadent Review, for presenting these poems in such a wonderful fashion over the past year. And if you want links to each individual other poem, here they are: “Archives of Summer,”Archives of Autumn,” and “Archives of Winter.”

Reading at Bushel

At 6:00 p.m. on Wednesday, April 26, 2023, I’ll be reading poems—including some new ones (never before heard!)—at the Bushel Collective as part of a release event for the State University of New York at Delhi’s literary journal, Agate Literary and Arts Magazine. Bushel is located at 106 Main Street in Delhi, New York.

Update

Here’s a picture of my reading at Bushel. Thanks to Peter W. Brusoe for the pic.

Fest, Bradley J--Picture of Reading at Bushel, April 26, 2023

“Cute Noise Indeed” in Who Dis?

A short poem assembled from language from a few of my tweets (below), “Cute Noise Indeed,” has been published in Who Dis?, “a journal of fake poems for the misinformation age.” [The journal quickly went defunct after this, so go here for a PDF of the poem.] The journal has “NO MASTHEAD NO CONTACT NO TRUTH / NO GODS NO IDOLS NO MATTER,” and “all appearances are by determinative actions employing chance.” As such, I did not compose this poem nor am I responsible for its publication, despite being listed as its author. The original tweets it was assembled from:

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“2021.05,” “2022.03,” and “2022.04” in The Kitchen Sink

As I mentioned in my last post, my work appeared in two different publications today. The second: More sonnets from my ongoing sequence, “2021.05,” “2022.03,” and “2022.04,” are in The Kitchen Sink, a brand-new publication based in Oneonta, New York (where I currently reside) run by recent graduates of the State University of New York at Oneonta. Thanks to Alexis Ochi and the other editors for accepting my work. I’m also thrilled to have these poems published alongside work from one of my students at Hartwick College.

“2021.06,” “2022.01,” and “2022.05” in IceFloe Press

My work appeared in two different publications today. First, I’m thrilled to have more recent sonnets from my ongoing series, “2021.06,” “2022.01,” and “2022.05,” as part of a series of pandemic “Dispatches” at IceFloe Press. Thanks especially to Robert Frede Kenter for championing these poems and for the amazing visual poem collage he made to accompany my work.

Paul Benzon to Deliver the 2022–23 Babcock Lecture at Hartwick College: “The Poetics and Politics of the Paralegible”

Paul Benzon will deliver the 2022–23 Babcock Lecture at 7:00 p.m. on Wednesday, April 5, 2023 in the Eaton Lounge of Bresee Hall at Hartwick College.


“The Poetics and Politics of the Paralegible”

What are the politics of writing—not at the level of language and discourse, but rather at the level of materiality and of the inscriptive mark itself? What might approaching writing as a material, visual practice have to tell us about issues of cultural identity, history, and power.

In the 2022–23 Babcock Lecture, Paul Benzon will explore these questions through a discussion of a mode of experimental writing he calls the paralegible. As the term suggests, the paralegible exists in the liminal space between the legible and the illegible, troubling the relations between the mark and the letter, the visible and the invisible. Simultaneously conjuring the desire to read and refusing that desire, it foregrounds questions of writing, authorship, and the textual trace. Turning to recent work by three artists—Renee Gladman, Hương Ngô, and Shirin Salehi—Benzon will show how the paralegible activates the political potentialities of writing that is at odds with language.


Benzon, Paul--HeadshotPaul Benzon (he/him/his) is an assistant professor in the English Department at Skidmore College, where he also teaches courses in the Media and Film Studies Program. He is the author of Archival Fictions: Materiality, Form, and Media History in Contemporary Literature (University of Massachusetts Press, 2021), and his writing has appeared in College Literature, electronic book review, Media-N, Narrative, and PMLA. His current project, from which this talk is drawn, considers how contemporary literary and artistic experimentations with print textuality, the book as an object, and textual and alphabetic design reckon with questions of historical trauma and social justice.