More Bleeding Edge Reviews and The Crisis in the Humanities

This month’s issue of Harper’s Magazine has a lengthy and interesting review of Thomas Pynchon’s Bleeding Edge by Joshua Cohen (article link requires subscription), and an interesting take on the crisis in the humanities (something this blog has posted frequently on this last summer) in Thomas Frank’s monthly column, “Easy Chair,” titled, “Course Corrections.” Frank nicely summarizes many of the issues facing humanists and the humanities today, and ends with a fairly bold call: “The world doesn’t need another self-hypnotizing report on why universities exist. What it needs is for universities to stop ruining the lives of their students [financially]. Don’t propagandize for your institutions, professors: Change them. Grab the levers of power and pull.” (On a semi-related note I’m happy to report that my own current department looks like it is doing just that.)

Patrick Jagoda’s “Gamification and Other Forms of Play”

boundary 2 has made the entirety of Patrick Jagoda‘s recently published essay, “Gamification and Other Forms of Play,” freely available online. This is an excellent article, and I was actually already planning on providing it to the students of my current Narrative and Technology class. For anyone interested in video games, and the emerging scholarship and conversation about them, this should be mandatory reading.

Labor Day Links

Lois Weiner has a very interesting piece in Jacobin, “This Labor Day, Thank a Teacher,” on how teacher’s unions are revitalizing the labor movement.

The levels of radiation leaking out of Fukushima are considerably higher than was previously reported.

And there may be a bigger surveillance system then PRISM, as reported on in The New York Times by Scott Shane and Colin Moynihan in “Drug Agents Use Vast Phone Trove, Eclipsing the N.S.A.’s.”

Hyperarchival Realism, Surveillance, and the Control Society

Christine Jun for Dazed Digital has posted an  A-Z list of some incredible contemporary art that engages with technologies of surveillance in “The dA-Zed Guide to Surveillance: Drones in the Sky, Whistleblowers in Jail: How Art is Responding to Big Brother’s Watch.” Of especial note is Robin Hewlett and Ben Kinsley‘s Street with a View, which was done a number of years ago while both were pursuing Master’s of Fine Arts degrees at Carnegie Mellon University, just down the street from me. I have met Ben a few times and had the opportunity to talk with him about this project while he was working on it. A pic (and a link to the Street with a View at Google maps):

Street with a View

I especially appreciate Hewlett and Kinsely’s hyperarchivally realist work here for integrating the archival processes of contemporaneity, the all-surveilling  eye of Google and their maps, the social and local residents of the area, and what in the end is pretty high-concept performance art. Simply wonderful. (And that they somehow got Google to come out and take part, all the better. I also probably should have posted something about Street with a View years ago, but I’m glad being pointed toward Dazed Digital‘s A-Z list reminded me of how excellent this happening was.)

Fukushima Over Two Years Later

In “Fukushima: Vast Amounts of Radioactive Water Creeping Towards Sea,” Mari Yamaguchi has reported for Talking Points Memo that “deep beneath Fukushima’s crippled nuclear power station a massive underground reservoir of contaminated water that began spilling from the plant’s reactors after the 2011 earthquake and tsunami has been creeping slowly toward the sea. Now, 2 1/2 years later, experts fear it is about to reach the Pacific and greatly worsen what is fast becoming a new crisis at Fukushima: the inability to contain vast quantities of radioactive water.”