Summer and Fall 2024 Links

I was so busy this fall I fell behind on pretty much everything, so I’m making up for it with a big two-season link post, roughly mid-May until the end of 2024.


Nuclear and Environmental

The Editorial Board of The New York Times, “The President’s Arsenal.”

Elizabeth Kolbert, “When the Arctic Melts” and “Why Hurricane Milton Is a Sign of the New Abnormal.”

Damian Carrington, “Earth’s ‘Vital Signs’ Show Humanity’s Future in Balance, Say Climate Experts” and “‘No Sign’ of Promised Fossil Fuel Transition as Emissions Hit New High.”

Patrick Greenfield, “Trees and Land Absorbed Almost no CO2 Last Year. Is Nature’s Carbon Sink Failing?”

Kathleen Kingsbury, W.J. Hennigan, and Spencer Cohen, “The Last Survivors [of Hiroshima] Speak. It’s Time to Listen.”

Megan Specia and Lynsey Chutel, “Nobel Updates: Peace Prize Is Awarded to Japanese Group of Atomic Bomb Survivors.”

Christopher Kempf, “Disaster Triumphant.”

David E. Sanger, “Biden Approved Secret Nuclear Strategy Refocusing on Chinese Threat.”

William Langewiesche, “The Secret Pentagon War Game That ​Offers a Stark​ Warning for Our Times.”

W. J. Hennigan, “The Price.”

Damian Carrington, “Hopeless and Broken: Why the World’s Top Climate Scientists Are in Despair.”

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Reading at CANO’s Writers Salon

I recently published a book, 2013–2017: Sonnets (LJMcD Communications, 2024), the first in an ongoing sonnet sequence. I have written the next book in the sequence, 2018–2024: Sonnets, and I’ve started the third, 2024–20XX: Sonnets, and I will be reading poems from these two most recent projects at 7:30 p.m. on Thursday, November 21, 2024 at the Community Arts Network of Oneonta (CANO)’s Writers Salon at the Wilber Mansion on 11 Ford Ave. I promise a poem about the election (writing it right now).

The 2024–25 Babcock Lecture: Anna Kornbluh, “Historical Fictions, Heist Flicks, and other Climate Genres for a Burning World”

Kornbluh, Anna--HeadshotI am delighted to yet again announce that on Thursday, October 17 at 7:00 p.m. in Anderson Theater at Hartwick College, distinguished critic Anna Kornbluh will be delivering the 2024–25 Babcock Lecture at Hartwick College, which will be titled: “Historical Fictions, Heist Flicks, and other Climate Genres for a Burning World.” Kornbluh’s lecture will be followed by a reading by eminent poet and feminist critic Rachel Blau DuPlessis and is part of the Oneonta Literary Festival.


Historical Fictions, Heist Flicks, and other Climate Genres for a Burning World

In the urgent emergency of climate crisis, is there any time for art? This talk considers some of the pressures on literature and culture at present, exploring the prevailing ways that artists, authors, and critics are conceiving artistic ties to the environment, and proposing some alternative ties with the help of popular genres like historical fiction and heist films.


Anna Kornbluh
 is professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching focus on the novel, film, and critical theory. She is the author of Realizing Capital: Financial and Psychic Economies in Victorian Realist Form (Fordham University Press, 2014), Marxist Film Theory and “Fight Club” (Bloomsbury, 2019), The Order of Forms: Realism, Formalism, and Social Space, and Immediacy, or, The Style of Too Late Capitalism, which was recently published by Verso. She has edited special issues for b2o: an online journalCriticismMediations, and Syndicate, and is a frequent guest on The American Vandal and other podcasts. She is the founder of the V21 Collective and InterCcECT (Inter Chicago Circle for Experimental Critical Theory) and is the Director of Graduate Studies at UIC.

Spring 2024 Links

Nuclear and Environmental

W. J. Hennigan, “The US Has Received a Rare Invitation from China. There Is Only One Right Answer.”

Kathleen Kingsbury and W. J. Hennigan, “At the Brink: A Series about the Threat of Nuclear Weapons in an Unstable World.”

Anton Troianovski, “Putin Says West Risks Nuclear Conflict if It Intervenes More in Ukraine.”

David E. Sanger, “Biden’s Armageddon Moment: When Nuclear Detonation Seemed Possible in Ukraine.”

Catie Edmondson, “Senate Approves Expansion of Fund for Nuclear Waste Exposure Victims.”

Anton Troianovski, “Russia to Hold Drills on Tactical Nuclear Weapons in New Tensions with West.”

Noah Smith, “Americans Are Still Not Worried Enough about the Risk of World War.”

Emily Faux, “Deserted Myths and Nuclear Realities: Revisiting the Symbolism of Nuclear Weapons in Contemporary Popular Culture through Oppenheimer.”

Paul Thompson, “Become Death: On Christopher Nolan’s Oppenheimer.”

Motoko Rich and Kiuko Notoya, “Oppenheimer Opens in Nuclear-Scarred Japan, Eight Months After US Premiere.”

Ariel Kaminer, Oppenheimer, My Uncle, and the Secrets America Still Doesn’t Like to Tell.”

Jimmy So, “Killerheimer: American Betrayal in Martin Scorsese and Christopher Nolan.”

Anna Kornbluh, “We Didn’t Start the Fire: Death Drive against Ecocide.”

Bill McKibben, “‘D Is for Despair’ Didn’t Sound so Good: A Conversation between Bill McKibben and Elizabeth Kolbert.”

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Summer and Fall 2023 Links

The links have really gotten away from me. This summer, I was prioritizing finishing up a chapter for Too Big to Read, and this fall the semester just hammered me; I basically haven’t had a single free moment. So, better late than never, huh? Over six months of links. Enjoy.


Nuclear and Environmental

Apocalyptica, a new journal.

Jeff VanderMeer, “Florida’s Environmental Failures Are a Warning for the Rest of the US.”

Lydia Millet, “Biden’s Green Energy Money Is Sugar on a Poison Pill.”

Tina Cordova, “What Oppenheimer Doesn’t Tell You about the Trinity Test.”

Brad Plumer and Elena Shao, “Heat Records Are Broken Around the Globe as Earth Warms, Fast.”

Alexis Pauline Gumbs, “Heat Is Not a Metaphor.”

David Gelles, “Climate Disasters Daily? Welcome to the ‘New Normal.’”

Tom Engelhardt, “Humanity Has Created Too Many Ways of Destroying Itself.”

Kim Tingley, “‘Forever Chemicals’ Are Everywhere. What Are They Doing to Us?”

Azby Brown, “Just Like That, Tons of Radioactive Waste Is Heading for the Ocean.”

Raymond Zhong, “Something Was Messing With Earth’s Axis. The Answer Has to Do With Us.”

Damian Carrington, “Canadian Lake Chosen to Represent Start of Anthropocene.”

Ralph Vartabedian, “A Poisonous Cold War Legacy That Defies a Solution.”

The Washington Post, “Where Dangerous Heat Is Surging.”

Michael Levenson, “Heat Wave and Blackout Would Send Half of Phoenix to ER, Study Says.”

Jessica Hurley, “The Irradiated Body as Postcolonial Lost Edge.”

Hoyt Long and Aarthi Vadde, “We Want Our Catastrophe TV.”

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“Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis” in boundary 2

boundary 2, vol 50, no 2, cover image I am honored to say that my interview with the great poet and critic Rachel Blau DuPlessis, “Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis,” has just been published in the most recent issue of boundary 2. (This link should provide access for three months.) I am deeply grateful to DuPlessis for corresponding with me during the summer of 2020. In lockdown with no childcare, corresponding with DuPlessis via email to conduct this interview (when I had a spare moment or two to do so) played a large part in keeping me sane during that difficult time. A huge thanks also to Racheal and Aviva, who were right there every day along with me while this interview was being conducted.

Here’s an abstract of the interview:

This interview with poet, essayist, literary critic, and collagist Rachel Blau DuPlessis was conducted via email correspondence between June 11 and August 29, 2020. Author of over a dozen volumes of poetry and half a dozen books in modernist studies, poetics, and feminist criticism, DuPlessis reflects broadly on her career in this interview. She discusses the ongoing role of feminism in her writing and thought, the forms of the fold and the fragment, the relationship between her poetry and criticism, her work in and on the long poem, and her post‐Drafts poetry, including her (at the time) most recent book, Late Work (2020). The interview concludes with a conversation about the relationship between poetry and theorizing practices and a meditation on writing during a global pandemic.

For my writing on DuPlessis: “‘Is an Archive Enough?’: Megatextual Debris in the Work of Rachel Blau DuPlessis.”

And for previous interviews: “Isn’t It a Beautiful Day? An Interview with J. Hillis Miller” and “An Interview with Jonathan Arac.”

Spring 2023 Links

Nuclear and Environmental

Herman Kahn, On Thermonuclear War (1960).

Raymond Zhnog, “For Planet Earth, This Might Be the Start of a New Age.”

Nicholas Kristof, “Cheer Up! The World Is Better Off Than You Think.”

Rebecca Solnit, “What If Climate Change Meant Not Doom–But Abundance?”

Elizabeth Kolbert, “It’s Earth Day—and the News Isn’t Good.”

David Wallace-Wells, “Greta Thunberg: ‘The World Is Getting More Grim by the Day.'”

Mark O’Connell, “Our Way of Life Is Poisoning Us.”

Simon Schama, “Simon Schama on the Broken Relationship between Humans and Nature: ‘The Joke’s on Us. Things Are Amiss.'”

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Paul Benzon to Deliver the 2022–23 Babcock Lecture at Hartwick College: “The Poetics and Politics of the Paralegible”

Paul Benzon will deliver the 2022–23 Babcock Lecture at 7:00 p.m. on Wednesday, April 5, 2023 in the Eaton Lounge of Bresee Hall at Hartwick College.


“The Poetics and Politics of the Paralegible”

What are the politics of writing—not at the level of language and discourse, but rather at the level of materiality and of the inscriptive mark itself? What might approaching writing as a material, visual practice have to tell us about issues of cultural identity, history, and power.

In the 2022–23 Babcock Lecture, Paul Benzon will explore these questions through a discussion of a mode of experimental writing he calls the paralegible. As the term suggests, the paralegible exists in the liminal space between the legible and the illegible, troubling the relations between the mark and the letter, the visible and the invisible. Simultaneously conjuring the desire to read and refusing that desire, it foregrounds questions of writing, authorship, and the textual trace. Turning to recent work by three artists—Renee Gladman, Hương Ngô, and Shirin Salehi—Benzon will show how the paralegible activates the political potentialities of writing that is at odds with language.


Benzon, Paul--HeadshotPaul Benzon (he/him/his) is an assistant professor in the English Department at Skidmore College, where he also teaches courses in the Media and Film Studies Program. He is the author of Archival Fictions: Materiality, Form, and Media History in Contemporary Literature (University of Massachusetts Press, 2021), and his writing has appeared in College Literature, electronic book review, Media-N, Narrative, and PMLA. His current project, from which this talk is drawn, considers how contemporary literary and artistic experimentations with print textuality, the book as an object, and textual and alphabetic design reckon with questions of historical trauma and social justice.

Fall 2022 Links

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Nuclear and Environmental

Max Bearak, Raymond Zhong, and Ihsanullah Tipu Mehsud, “Deadly Floods Devastate an Already Fragile Pakistan.”

Katie Rogers and David E. Sanger, “Biden Calls the ‘Prospect of Armageddon’ the Highest since the Cuban Missile Crisis.”

David Wallace-Wells, “The World Took a Bold, Toothless Step Forward on Climate Justice” and “Beyond Catastrophe: A New Climate Reality Is Coming into View.”

Somini Sengupta, “‘A Reason to Act Faster’: World Leaders Meet on Climate Amid Other Crises.”

Max Bearak, “Climate Pledges Are Falling Short, and a Chaotic Future Looks More Like Reality.”

Brad Plumer, Max Bearak, Lisa Friedman, and Jenny Gross, “UN Climate Talks End with a Deal to Pay Poor Nations for Damage.”

Catrin Einhorn, “Researchers Report a Staggering Decline in Wildlife. Here’s How to Understand It.”

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Hartwick College’s Faculty Lecture Series, Spring 2023

This spring, the Faculty Development Committee and the Office of Academic Affairs at Hartwick College will present three more speakers in its annual Faculty Lecture Series.

All talks take place at during the common hour: 12:20–1:15 p.m. in Eaton Lounge, Bresee Hall at Hartwick College, Oneonta, New York.


Zachary McKenney, “The Ruling Class Does Rule: Reflections on the UAW-Volkswagen Labor Organizing Campaign,” Friday, February 17, 2023.

Ana Laura González, “The Sonic Identity and the Recording Journey: Is There One Way to Get It Right?” Friday, March 10, 2023.

Kyle Burke, “The Rise and Radicalization of the Transatlantic Far Right,” Friday, April 14, 2023.

For more information, visit the Faculty Lecture Series webpage.